Neatorama is proud to bring you a guest post from Ernie Smith, the editor of Tedium, a twice-weekly newsletter that hunts for the end of the long tail. In another life, he ran ShortFormBlog.
Bootlegged movies and music are fairly common online these days, but it was a guy who worked at an opera who got things going.
Last year, a director named Joseph Kahn released the Mighty Morphin Power Rangers film that nobody was asking for—but despite that low ceiling, he more than topped it. The 14-minute short film starred people who have actually been cast in real movies and TV shows (James Van Der Beek and Katee Sackhoff), and took the franchise in a dark, gritty new direction that definitely has nothing in common with the Saved By the Bell-in-costume motif that the franchise was known for in the U.S. Kahn, who is mostly known as a music-video director (albeit perhaps the best-known one of the past decade) reached a new level of quality for an unlicensed product. And Saban, which owns the franchise, was pissed, requiring YouTube to take it down. (It’s back up now.) So, what makes bootleg media so appealing? Let’s analyze.
Meet the first music bootlegger
DJ Spooky once called Lionel Mapleson ”one of America’s first bootleggers" of music, but that’s something of a misnomer.
First off, Mapleson was riffing tracks from his employer, the New York Metropolitan Opera, in an official role as the opera’s librarian. (It’d be like Suge Knight stealing from Dr. Dre. … which, let’s admit it, probably happened.) Second, he technically wasn’t doing anything illegal at the time—because at the time, copyright law didn’t cover recordings at all.
And while it eventually did, Mapleson quit while he was ahead—stopping his recording efforts around 1904. The Copyright Act of 1909 came around five years later.
Mapleson was putting music to wax in the most literal way possible: He was making wax cylinders of portions of operas, using a machine handmade by Italian audiophile Gianni Bettini. His recordings came at a time when audio recordings were a brand new phenomenon. The rules hadn’t been written yet.