The skin is 1/4" flutted plastic like whats used for election signs. This was riveted and screwed onto 3/4" square aluminum tubing salvaged from an old satellite dish. The base was made of 2x2 fir. The 30" square door frame, made of 1x2's was skrewed to the side panel, cut on the sides and bottom. The upper part was left uncut to act as a hinge. The bed hinges in a lounge attitude. On the outside resides an herb flower box, a urinal funnel (sanicans were a ways off) and 13" wheel barrel wheels on a 1/2" axle mounted with 1/2" square tubing made up the running gear. I used 3/4" steel for the tow bar, A recycled card table for the corner camper supports, and misc this and that. It's whatever I had kicking around at the time, and that's how anyone would have to do it if worst came to worst.
Like other Aztec deities, he could be both helpful and destructive. As a god of the sun, he ripened the crops but could also send a burning drought that killed the plants. The patron god of helpless folk such as orphans and slaves, he was also the patron of royalty, and he gloried in war and human sacrifice. Another of Tezcatlipoca's roles was to punish sinners and cheats, but he himself could not be trusted.
Although associated with the sun, Tezcatlipoca was even more strongly linked with night and its dark mysteries, including dreams, sorcery, witches, and demons. Legend said that he roamed the earth each night in the form of a skeleton whose ribs opened like doors. If a person met Tezcatlipoca and was bold enough to reach through those doors and seize his heart, the god would promise riches and power in order to be released. He would not keep his promises, though....
As a trickster god, Tezcatlipoca delighted in overturning the order of things, causing conflict and confusion. Sometimes, these disruptions could also be a source of creative energy and positive change. Tezcatlipoca's ultimate trick was one he played on his fellow god Quetzalcoatl. After introducing Quetzalcoatl to drunkenness and other vices, he used his mirror to show Quetzalcoatl how weak and degraded he had become. Quetzalcoatl fled the world in shame, leaving it to Tezcatlipoca. He did, however, promise to return at the end of a 52-year cycle.
People invented many useful technologies to make people's life easier. All these inventions (car is among one of them) are to make people's life more convenient. With our "PooTrap", no need to worry that dogs will cause environment pollution, and as dogs owners may know, actually it's difficult to pick up poop.
It wasn't, you see, quite as simple as constructing a waterfall.
"Water doesn't change," Maury said. "Chocolate is complicated."
It must be at the proper temperature to flow properly, for starters. Then there's the issue of the chocolate's viscosity, which affects the flow. And the viscosity of chocolate changes with every little bit of moisture in the air.
"The envy of chocolate is humidity," Maury said. With an increase in the humidity, cocoa butter and coconut oil must be added to the 2,100 pounds of chocolate in the tank. Maury takes viscosity readings every two or three days.
The 25 glass vessels from which the chocolate flows are each unique, and each handmade in Montreal. Maury and Oliver tested the system there for seven months.
“Readin’ your bladder of lard”, read the message on the screen. It asked for his “Huckleberry Finn”. Then more bewildering questions: did he wanted to see his balance on the Charlie Sheen? Did he wish to change his Huckleberry Finn or did he simply require sausage and mash, with or without a receipt?
The idea is to construct a building which will be CO2-neutral, where the concept of the cycles of nature will be preserved. The innovative solutions on modern wooden constructions will stand as a token of the level of competence in the region, says architect Reiulf Ramstad.
My work investigates one of a kind objects and their role in a world based on mechanical reproduction. Industry has removed the aura from objects and stripped them of their individuality. My pizza cutters seek to demolish the sterile conformity of mass produced objects and represent the stylistic and flamboyant embellishment of groups who live on the fringe of popular culture. The outlaw biker image is a break from the conformity that has taken over America since industrialization. My machined pizza cutters draw inspiration from chopper motorcycles and attempt to reclaim the mythology and economic usefulness of the American worker as patriarch; translating machine or functional object into flesh and blood. The outlaw as defiant nonconformist, as well as social outcast, parallels being an artist who makes functional objects and being an individual who takes pride in the power of invention and skill.
