Depressed people often think intensely about their problems. These thoughts are called ruminations; they are persistent and depressed people have difficulty thinking about anything else. Numerous studies have also shown that this thinking style is often highly analytical. They dwell on a complex problem, breaking it down into smaller components, which are considered one at a time.
This analytical style of thought, of course, can be very productive. Each component is not as difficult, so the problem becomes more tractable. Indeed, when you are faced with a difficult problem, such as a math problem, feeling depressed is often a useful response that may help you analyze and solve it. For instance, in some of our research, we have found evidence that people who get more depressed while they are working on complex problems in an intelligence test tend to score higher on the test.
The building itself is a complicated juxtaposition of different ideas and concepts. It forms a spiraling circle around a strong vertical core that allows visitors to the library to move between floors. The museum’s curves form a möbius strip, so the interior becomes the exterior and back again; likewise the walls become the roof and the roof transforms back into the walls. The interior corridors are naturally daylit through geometric openings in the exterior shell, creating beautifully lit spaces perfect for reading.
To minimize cooling loads on the library, BIG Architects employed some advanced computer modeling to calculate the thermal exposure on the building envelope. Because of the warping and twisting of the exterior, some parts of the building receive more light than others. By taking that information, BIG was able to create a geometric pattern or “ecological ornament” to regulate the solar impact.
The skin is 1/4" flutted plastic like whats used for election signs. This was riveted and screwed onto 3/4" square aluminum tubing salvaged from an old satellite dish. The base was made of 2x2 fir. The 30" square door frame, made of 1x2's was skrewed to the side panel, cut on the sides and bottom. The upper part was left uncut to act as a hinge. The bed hinges in a lounge attitude. On the outside resides an herb flower box, a urinal funnel (sanicans were a ways off) and 13" wheel barrel wheels on a 1/2" axle mounted with 1/2" square tubing made up the running gear. I used 3/4" steel for the tow bar, A recycled card table for the corner camper supports, and misc this and that. It's whatever I had kicking around at the time, and that's how anyone would have to do it if worst came to worst.
Like other Aztec deities, he could be both helpful and destructive. As a god of the sun, he ripened the crops but could also send a burning drought that killed the plants. The patron god of helpless folk such as orphans and slaves, he was also the patron of royalty, and he gloried in war and human sacrifice. Another of Tezcatlipoca's roles was to punish sinners and cheats, but he himself could not be trusted.
Although associated with the sun, Tezcatlipoca was even more strongly linked with night and its dark mysteries, including dreams, sorcery, witches, and demons. Legend said that he roamed the earth each night in the form of a skeleton whose ribs opened like doors. If a person met Tezcatlipoca and was bold enough to reach through those doors and seize his heart, the god would promise riches and power in order to be released. He would not keep his promises, though....
As a trickster god, Tezcatlipoca delighted in overturning the order of things, causing conflict and confusion. Sometimes, these disruptions could also be a source of creative energy and positive change. Tezcatlipoca's ultimate trick was one he played on his fellow god Quetzalcoatl. After introducing Quetzalcoatl to drunkenness and other vices, he used his mirror to show Quetzalcoatl how weak and degraded he had become. Quetzalcoatl fled the world in shame, leaving it to Tezcatlipoca. He did, however, promise to return at the end of a 52-year cycle.
