Way back in 1958, the MIT chapter of the Lambda Chi Alpha fraternity used pledge Oliver R. Smoot to measure the Harvard Bridge in Massachusetts, coining the smoot as a unit of measurement in the process – one smoot equaling five feet, seven inches. Smoot (the man) lay down on the bridge, his position was marked, and he moved on (or was moved on – eventually he so tired from the movement that his frat brothers carried him), until the bridge was established as being 364.4 smoots, plus or minus an ear, in length. Appropriately, Smoot would later become chairman of the American National Standards Institute.
1 Emmet = 1.21 Gigawatts, or the amount of power required to operated the flux capacitor in a modified DeLorean DMC-12. GeekDad note – when describing the Emmet, it’s pronounced ‘Jigga’ watt. There was briefly some debate as to whether this should be called a ‘lloyd’ or a docbrown’, But for simplicity (and to honour the character rather than the actor - though don’t get me wrong, Christopher Lloyd rocks) I’ve gone for ‘Emmet’.
The data refers to the evolution of the top 4 maritime empires of the XIX and XX centuries by extent. I chose the maritime empires because of their more abrupt and obtuse evolution as the visual emphasis is on their decline. The first idea to represent a territory independence was a mitosis like split — it’s harder to implement than it looks. Each shape tends to retain an area that’s directly proportional to the extent of the occupied territory on a specific year. The datasource is mostly our beloved wikipedia. The split of a territory is often the result of an extent process and it had to be visualized on a specific year. So I chose to pick the dates where it was perceived a de facto independence (e.g. the most of independence declarations prior to the new state’s recognition). Dominions of an empire, were considered part of that empire and thus not independent.
New LED tattoos from the University of Pennsylvania could make the Illustrated Man real (minus the creepy stories, of course). Researchers there are developing silicon-and-silk implantable devices which sit under the skin like a tattoo. Already implanted into mice, these tattoos could carry LEDs, turning your skin into a screen.
The silk substrate onto which the chips are mounted eventually dissolves away inside the body, leaving just the electronics behind. The silicon chips are around the length of a small grain of rice — about 1 millimeter, and just 250 nanometers thick. The sheet of silk will keep them in place, molding to the shape of the skin when saline solution is added.
These displays could be hooked up to any kind of electronic device, also inside the body. Medical uses are being explored, from blood-sugar sensors that show their readouts on the skin itself to neurodevices that tie into the body’s nervous system — hooking chips to particular nerves to control a prosthetic hand, for example.
Chips are already used inside bodies, most notably the tiny RFID tags injected into pets. But the flexible nature of these “tattooed” circuits means they can move elastically with the body, sitting in places that a rigid circuit board couldn’t.
The animals that scientists experimented with — pinhead-sized worms known as nematodes — stayed paralyzed even when the light was turned off. When exposed to ordinary light, the paralysis wore off
The researchers fed a light-sensitive material — a "photoswitch" known as dithienylethene — to the transparent worms. When exposed to ultraviolet rays, the molecule turned blue and the worms became paralyzed. Using visible light instead made the chemical turn colorless and the paralysis ended [...]
Branda wanted to make clear that this photoswitch would likely not have the same effect on humans. "You'd have to have a huge amount of it," he explained. "If you did, you might see the activity of cells shut down, which would eventually kill them. Paralysis is just an intermediate step to death in many cases."
"The Simpsons", the satirical, animated clan who put the phrases "Doh!" and "Eat my shorts" into the national vernacular, are celebrating their 10th year on television. And in true Simpson fashion, the producers of the show are doing the unexpected - recreating the family's two-story domicile right down to the throw rugs. Builder Kaufman & Broad has taken the 724 Evergreen Terrace address out of two dimensions and cast it in three, placing it smack dab in the middle of Henderson, Nev., in a housing development appropriately called "Springfield."
“I wanted someone to barf when they look at it,” says Dauber, a senior executive at Apple. “The deck looks like it is sloping away from you.” Dauber is not your standard-issue Silicon Valley techie; he’s covered in tattoos and owns an impressive, challenging collection of contemporary art (including a mosque made out of gun parts, by the sculptor Al Farrow). Five years ago, he hired Faulders to transform his Potrero Hill residence into a bachelor-pad-cum-art-gallery (see “Puzzle Master,” June 2006). The architect gave the space visual interest while still preserving it as a backdrop for Dauber’s art. Notably, the ceiling and walls, which appear to undulate, are made of a smooth pattern of interlocking CNC-milled MDF panels.
Why did you choose to paint on books? It seems like it would have been a challenge to go from working on paper to painting on something so dimensional. What was that transition like?
It was sort of an accident. I was painting on book pages for forever, and actually published a book in 2005 titled "100 Portraits" in which I drew one hundred portraits on old book pages. At the time, I was drawing on books, records or anything else I could find at a thrift store. Eventually, I started drawing on the books themselves. I was going to do a project where I just drew on the covers of the books, and as I finished them I would stack them against the wall. It dawned on me that it might be a good idea to paint down the spines of the books instead of just on the covers. The first one I did I didn't really think much of, but I brought it down to BLK/MRKT, and I remember Jana going crazy over it. We showed it at the second Artists' Annual group show where it got quite a bit of attention, including attention from Kim Davenport, the director of Rice Gallery in Houston
"I was interested in the question of whether my son, going through his first language acquisition process, would acquire it like any human language," Speers told the Minnesota Daily. "He was definitely starting to learn it."
And get this, Speers says he isn't really a huge Star Trek fan.
We'll take his word for it.
Does the fact that Speers has a doctorate in computational linguistics explain anything -- or excuse anything -- here? Maybe. His child-rearing habits were part of a larger story on the company he advises, Ultralingua, which develops language and translation software. Including Klingon.
