How to (Truly) Improve Your Luck

In 1938, a Detroit street sweeper named Joseph Figlock saved the life of a baby falling from an apartment building. A lucky moment, indeed. It was also an odd coincidence, because, according to Time magazine, the same man had performed the very same act just a year prior. Even more astounding? It was reported to be the same baby.

Astonishing tales like this make us laugh in disbelief. But behind the laughter lurks fear: Humans have a deep psychological need for the universe to feel controllable—or at least predictable. “People are much more relaxed if they feel in command, whether they really are or not,” says David Hand, a British statistician and author of The Improbability Principle. “The notion that events might happen just by chance can be terrifying.”

As a species, we persuade ourselves that we can influence random events, a fantasy psychologists call “the illusion of control.” Casino gamblers throw dice more gently when they want lower numbers, according to one study. In another, 40 percent of subjects believed they could get better outcomes from tossing a coin the more they practiced. It’s little wonder, then, that people sit up and listen when self-help gurus claim to offer techniques for learning to be luckier. The good news is that, in some sense, you really can “make your own luck.”

For starters, forget about influencing the outcome of truly chance-based events, like coin tosses or lottery draws. You should also avoid trying to make your own luck by focusing on the outcomes you desire, as advised in New Age bestsellers like The Secret. Research by the psychologists Gabriele Oettingen and Doris Mayer indicates that the more people positively fantasize about, say, getting a great job, the less money they end up earning, perhaps because fantasy replaces effort that could get them ahead in the real world. Similarly, people who positively fantasize more about romance are less likely to ask out potential partners on actual dates.

Such findings draw attention to the fact that “luck” is an ambiguous term. We use it to describe life’s sheer randomness—but also to explain those opportunities we encounter because we’ve looked for them. Expose yourself to new people and events and you’re far more likely to meet your next employer—or the love of your life—than if you stay locked in your home. The best approach, research suggests, isn’t a laser-like focus on what you think you want. It’s to cultivate a radical openness to unplanned experiences, loosen your grip on your goals, and embrace uncertainty.

Several years ago, the psychologist Richard Wiseman recruited subjects who thought of themselves as either unusually lucky or unlucky. The self-described lucky ones, he discovered, shared a set of behavioral traits that maximized their good fortune. They were receptive to new experiences and invested time in expanding their social and professional networks; when things went wrong, they reminded themselves that things could have gone worse. By focusing less on their goals, they actually accomplished those goals more efficiently. In one experiment, Wiseman asked participants to count the number of photographs in a newspaper. The unlucky people diligently plodded through. The lucky ones were far more likely to spot one of two messages Wiseman had inserted on the page. The first read “Stop counting—there are 43 photographs in this newspaper.” The other offered a $250 reward if the reader just asked the experimenter for the cash.

Wiseman concluded that being too goal-focused can actually interfere with achieving goals, something that bears out when you look at successful entrepreneurs. The popular stereotype of the innovator who envisions a miraculous new product or service and then stubbornly fights to make it real isn’t accurate, according to management scholar Saras Sarasvathy. Rather, the most successful innovators are the ones who are willing to use the people and resources at their disposal to take action—even if they can’t see the endpoint.

Uncertainty feels uncomfortable, so we’re tempted to do whatever we can to get rid of it. But learning to tolerate it instead will bring you better luck. Writer Karla Starr refers to this as “structured serendipity.” Don’t abandon your daily schedule, she advises, but make sure it includes chances for unexpected things to happen. Spend an hour wandering a bookstore; invite a random acquaintance for coffee. On social media, follow some people whose enthusiasms you don’t already share. Leave extra time for errands, to permit spontaneous detours en route.

And whether or not you improve your luck, you can take solace in the fact that you’re certainly luckier than Maureen Wilcox. In 1980, she bought tickets for the Massachusetts and Rhode Island lotteries and picked the winning numbers for both. Unfortunately, her Massachusetts numbers were the winning ones in Rhode Island and vice versa, so she won nothing.

And yet, Hand points out, statistically speaking, Wilcox was no less lucky than anyone else who didn’t win that week. The true lesson of her story isn’t that some people have terrible luck; it’s that almost everyone who plays the lottery loses. Spend those dollars on a cup of coffee with a stranger instead.

__________________________

The above article by Oliver Burkeman is reprinted with permission from the June 2014 issue of mental_floss magazine.

Don't forget to feed your brain by subscribing to the magazine and visiting mental_floss' extremely entertaining website and blog today for more!


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The story at the beginning intrigued me. A little digging shows that it’s a true story, except that it was NOT the same child the second time. The fact that Figlock was a street sweeper means he was on the streets of the city all day every day and more likely to encounter falling children than the average man. The same child falling was a later embellishment, as are the versions of the story that put it in more recent decades. Ancestry.com lists two Joseph Figlocks in Detroit from the 1940 census. One was born in 1884 and the other in 1907. Possibly father and son?
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Great Article! It should be noted though the second album was actually "Nothing to Fear" followed by "Good for your Soul". I saw them at the Arlington in Santa Barbara in 1982. This I believe was the apex their high energy stage shows.
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You know, for such an odd band, they did really well for themselves. I had forgotten about some of the movie appearances. I must have seen them in 'Back to School' a thousand times on HBO as a kid.
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Great stuff. I'm a big fan but I noticed some things weren't mentioned. One, Richard Elfman is a director and I love Forbidden Zone. Also, there are rumors as to the Oingo Boingo name. One, is that Danny Elfman had said once that it is the sound that it makes when you hit a basketball against a dog. Two, it means something in Swahili although I'm not sure if either one is true, hint; rumors. There's a lot more info that could've been added, like Gibbs is now a composer as well and that the tribute band will be performing in Anaheim again later this year around Halloween (if not on Halloween). Lots of info but what there was, very cool. Thanks! :D
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There was an EP first, which contained Only a Lad, but which had three other bad ass songs (like Violent Love)--which I have always thought were some of their best.

Also, you failed to mention the influence of El Muerto art on their style, which I consider to be very important.

Their live act ruled. I've seen them like 10 times. Scholar Brad, I was at that show, but it wasn't their apex--they kept putting on incredible shows well into the 90s.

I was very happily surprised to see this. Good job.
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I believe that the name, "Oingo Boingo," was inspired by the name, "Bongo Congo," as mentioned in this article about a cartoon series from my childhood:

http://en.wikipedia.org/wiki/King_Leonardo_and_his_Short_Subjects
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I have great memories of many Oingo Boingo shows from the late 70s and early 80s. That was a great time when they still did a lot of the costume stuff, as well as huge jams on their homemade instruments.

Sadly, I don't think their music has aged all that well. The motifs that Elfman became known for work much better in the later, orchestral soundtrack formats that Elfman pursued.

And #9 is right - the first EP still ruled over all the later stuff. It also had great cover art by artist Louis Wain, created during the later stages of his schizophrenia.
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Good catch on the Bartek and the album numbers.

One other thing I thought was interesting but didn't include in the article was that No Spill Blood was written about the Island Of Dr. Moreau.
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I can honestly say that I was not expecting to see my favorite eighties/early nineties band featured on Neatorama. I think I attended one of their concerts in the womb even. Thanks for sharing the Gong show bit too, I haven't seen much of their Mystic Knights galavantings, just heard some of their performances from that time period.
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Oh yeah, so Nothing to Fear (I guess which was before Only a Lad) and then the Oingo Boingo album (with electric cat), wouldn't those be considered their first albums?
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It should also be noted that while there's never been an "official" Oingo Boingo reunion, there has been plenty of times where most of the band members (Not Elfman) will get together and play in LA for Halloween. I went to a show in 2006, and it was amazing. They did songs from Boingo, Nightmare Before Christmas, and other covers as well. It's usually billed as "Tribute to Halloween", but I think in recent years they've changed it to "Tribute to Oingo Boingo. http://www.myspace.com/johnnyvatostributetohalloween
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HUGE fan of the band and Danny. Wonderful clip of the Gong Show - I had not seen that before!

I have all their albums and saw them live numerous times when their tour would bring them to Houston, TX! I have autographs of everyone except Bartek... sneeky bastard would always slip past...lol

So sorry to hear of Danny's hearing loss. That man has the most beautiful voice I've ever heard and it saddens me to know I will never see the band and him live again.
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The name will be debated forever but I saw an old cartoon (forgive me, can't remember the name...it's the cat and his sidekick, very famous old comic!) where the cat was bouncing down the street and the sound it made was (apparently 'Oingo Boingo!' written in big bold letters...I'd be very surprised if it was a coincidence knowing what they are into!
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Great info here. there is so much more of their history, I wish someone would put together a book ( like the Kisstory ) on oingo boingo. The band is still one of my favorites, genius pure genius. I listen to music from swing , counrty to hard rock. I have still never heard any band that is so complex and musically satisfying. Back in the eightys I would say " Danny Elfman is a god" and few got it. But I think now many understand he was so ahead of the rest. I saw them live twice in Richmond Va, once around 1983 and there wasn't 100 people there so I rocked out front and center. It was like it was just me and the band.I think Danny thought I was crazy.We high fived after a few songs, the stage was not 18" tall.So we were inches apart. Not many on the east coast knew how great they were. I still listen to the last halloween concert album it makes me sad to think that that would never happen again. I own a Sound lighting and Video Production company and I give credit to the love of bands like oingo boingo and kiss as major reasons I am here. They realized that it was not just music but performance and style.
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