You are QWOP, our small nation's sole representative at the Olympic Games. Use the QWOP keys to move your legs. Ideally, you will run 100 metres ...but our training program was underfunded. Remember, it's not whether you win or lose.
Recently Made by Makers had a workshop in which three designers had to come up with twenty original speaker designs in just three days. Each design should be modelled and rendered and also be easily communicated in one image. These goals and the tight timeframe forced non-critical idea generation methods and high-speed 3d-visualisation to be used.
"I never dreamed of getting drafted," Yoshida told reporters Monday, a day after she was selected to play for the Kobe 9 Cruise.
"I have only just been picked by the team and have not achieved anything," she said. "I want to play as a pro eventually in a higher league."
Death is looked upon differently by many cultures. One of the stranger and more macabre (at least to look at) is the Mexican tradition of Santa Muerte - or Saint Death if you are an English speaker. She is also known as Dona Sebastiana and is a religious figure that is the result of a mish-mash of several cultures. Paganism and Catholicism come head on to produce a remarkable hybrid of contemporary religiosity and supernaturalism.
The 1,600-year-old work entitled "Philogelos: The Laugh Addict," one of the world's oldest joke books, features a joke in which a man complains that a slave he has just bought has died, its publisher said Friday.
"By the gods," answers the slave's seller, "when he was with me, he never did any such thing!"
In a British comedy act Monty Python's Flying Circus sketch, first aired in 1969 and regularly voted one of the funniest ever, the pet-shop owner says the parrot, a "Norwegian Blue," is not dead, just "resting" or "pining for the fjords."
The English-language book will appeal to those who swear that the old jokes are the best ones. Many of its 265 gags will seem strikingly familiar, suggesting that sex, dimwits, nagging wives and flatulence have raised laughs for centuries.
The first reason sad lolcats can be so powerful, Mankoff suggested, is their comedic structure. The meaning of a lolcat is rarely straightforward -- rather, there's a punch line of sorts, a layer of meaning you have to think about for a moment in order to grasp. So the punch line, the same thing that makes the lolcat funny, is what makes it sad. You could call these tragic strips.
A second major factor in the poignancy of the sad lolcat, I would argue, is the use of animals. The comic form is generally a prophylaxis against sentimentality. By articulating profound feelings through cats and marine mammals speaking garbled English, we're able to shroud genuine emotions in pseudo-irony -- which means those animals can evoke deeper emotions without fear of mockery or cheapness.
