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To carry out this elaborate project, Erika Iris Simmons sketched an outline of the composer and then cut up the center of the sheet with an X-Acto knife. She folded and arranged the pieces, doing her best to keep them in order and the notation correct. Simmons has similar pieces at her site, including a wave formed from the text of Benoit Mandelbrot’s The Fractal Geometry of Nature.
This letter to an unnamed “Immortal Beloved” was found in the personal papers of Ludwig van Beethoven after his death in 1827. Though there’s debate over whom the letters were written to, there’s not much debate about whether or not Beethoven had it bad for the woman. A snippet:
My bosom is full, to tell you much — there are moments when I find that speech is nothing at all. Brighten up — remain my true and only treasure, my all, as I to you. The rest the gods must send, what must be for us and shall.
Your faithful
Ludwig
Read the rest on Letters of Note. Link
via Flavorwire
What determined the length of the audio CD developed by Sony? It was based on the length of the longest recording of Beethoven’s Ninth Symphony. Tyler Cowen quotes from Tim Büthe and Walter Mattli’s book The New Global Rulers: The Privatization of Regulation in the World Economy:
Sony had initially preferred a smaller diameter, but soon after the beginning of the collaboration started to argue vehemently for a diameter of 120mm. Sony’s argument was simple and compelling: to maximize the consumer appear of a switch to the new technology, any major piece of music needed to fit on a single CD…Beethoven’s Ninth Symphony was quickly identified as the point of reference — according to some accounts, it was the favorite piece of Sony vice-president Norio Ohga’s wife. And thorough research identified the 1951 recording by the orchestra of the Bayreuther Festspiele under Wilhelm Furtwängler, at seventy-four minutes, as the slowest performance of the Ninth Symphony on record. And so, according to the official history, Sony and Philips top executives agreed in their May 1980 meeting that “a diameter of 12 centimeters was required for this playing time.”
Amazon Link via Marginal Revolution | Photo by Flickr user Leo-setä used under Creative Commons license
In reference to the book Cranioklepty by Colin Dickey, Keith Thomson writes at The Huffington Post about the hobby of skull collecting. Among the most famous skulls held in collections might be that of the composer Ludwig Von Beethoven:
The seller is California businessman Paul Kaufmann, who first became aware that his family possessed the item in 1990. While searching among his late mother’s possessions, he happened on an ancient, pear-shaped box labeled “Beethoven.”
Years of investigation by historians and scientists make a compelling case that the box was labeled accurately. Exhibit A: Kaufmann’s great-great uncle was a physician closely involved in the 1863 exhumation of Beethoven (and Franz Schubert) largely for scientific study; according to several accounts, the physician kept Beethoven’s skull. Exhibit B: Tests of existing strands of the composer’s hair point to a DNA match. For Exhibits C through Z, see Dickey’s book.
The owner hopes to earn at least $100,000 for the skull. At the link, you can read about other famous collectible skulls.
Link via Digg | Photo: Ira F. Brilliant Center for Beethoven Studies
The sounds of a cat on bass purr, a loon on lead vocal, two owls, wood stork and cuckoo (solo) are the sole musical instruments in this furry arrangement of the classic, Fur Elise, composed by Ludwig van Beethoven.
You can see who is currently singing at the botton of the screen.
– via SwitchZoo
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