Image: Nicholas Lampert
Collage artist Nicolas Lampert combines the joys of lovely landscapes and mountains of meat. In an interview with ArtSlant, he wrote about the juxtapositions that he creates in his meatscapes:
AR: A lot of artists are interested in using spectacle as a prime component of their work. Whether it’s hanging a working locomotive from a crane, suspending cars in the Guggenheim rotunda, or diamonds on a skull, spectacle plays a key role. How does the idea of spectacle play into your work, and how is it different from the way other artists are using it?
NL: Spectacle is a great term because spectacles are a subversive form of entertainment. They are often unusual, humorous and disturbing and they force people to pay attention and to come to terms with the content. One piece in particular that I created “Attention Chicken” – a nine-foot tall realistic sculpture of a rotisserie chicken (uncooked of course) operates in the realm of spectacle when it is placed unannounced in the city. It doesn’t work in a galley context, but outside in the public, it plays the part of being subversive, humorous and is most certainly an unusual site for people to see. As far as how my art differs from others, it is difficult to say, because every artist has their own unique intentions.
Link via Urlesque | Interview with the Artist