This concept came from a research on nostalgia during travelling. When a familiar object from home is taken with you on a trip you feel much more at ease. And which object is more familiar then your own comfortable couch.
The fabrics which are used to cover the suit cases emphasize the homely feeling. I searched for a combination of fabrics which amplify each other and which create a prominent image. By using prints on the large luggage and the pad on the hand luggage I tried to put down a lively picture.
I was looking for opportunities to generate energy through activities we naturally do. The final result is a rocking chair that enables the user to experience production and consumption of electricity in a gentle and rewarding way. An abstract process becomes tangible and eventually cultivates natural awareness. Complexity is covered by simplicity. Advanced nano-dynamo technology which is built in to the skids of the chair and more efficient light sources such as the newly developed OLED generation makes it possible to build a rocking chair with a reading lamp running on electricity generated from the rocking motion. During daylight the energy gets stored in a battery pack. The construction of the flat and bendable organic light emitting diodes allows new form factors such as using the traditional shape of a lamp but instead of having a light bulb the lampshade himself turns out to be the light source. To have a drastic reduction of consumption the big challenge will be to make consuming less feel like getting more.
True to form, Bud drinkers are sensible, grounded and practical. They are the polar opposite of daydreamers and don't easily get carried away. These beer drinkers also don't like authority—can anyone say union?—and are emotionally steady people who live in the here and now. However, what may be a bit surprising is that people who prefer Bud can also be very spontaneous and tend not to do much advance planning.
Budweiser drinkers are 42% more likely to drive a truck than the average person, 68% more likely to choose a credit card with flexible payment terms and 42% more likely to use breath-freshening strips every day.
The part of the Dragon that is exposed is about 18 feet long. The wing is 15 feet high. The skeleton is carved whale bone and forged mild steel with reindeer rawhide stretched and stitched over the bones. I did it to display a 59 1/2 inch two handed sword called "The Veil of Tears". After the ten hour photo session It went to a three day showing in San Francisco then to the buyers.
Cutting off the wattles of roosters and seeing how the behavior of hens changed wasn’t an option. Instead, Smith created four animated roosters. The animated roosters (see second part of the video below) all acted the same, performing the tidbitting routine over and over, and they all looked the same, except for their wattles. One had a normal wattle, one was missing his, a third had a wattle that didn’t move, and the fourth had an extra floppy wattle.
A test chicken would be placed inside a test pen with two “audience hens,” a couple of buddies intended to make the test hen more comfortable in the less familiar surroundings (fowl are social creatures). One of the videos was then played for the test chicken and her response was recorded: How quickly did she respond to the animated rooster? How quickly did she start searching for food (the normal response to a male tidbitting)? And how long did she search for food?
The test hens responded more quickly to the tidbitting males that had the normal or stationary wattles, less quickly to the one with the extra floppy wattle (the wattle moved so much that it swung up the side of the rooster’s head and appeared much smaller than it was) and slowest to the male lacking wattles. After the hen’s attention was gained, though, she reacted about the same to each of the four animated chickens. Smith suggests that the wattle helps a rooster gain a hen’s attention when he is tidbitting, rather like a human guy wearing flashy clothes while doing his best dance moves to try and pick up chicks.
The prototype device called a “Tele Scouter” is a glasses type display that translates the foreign language being spoken by a partner and projects the translation onto a tiny retinal display.
The device mounted on an eyeglass frame consists of the retinal display, front-mounted camera and microphone, but doesn’t perform the translation itself. Rather the microphone picks up the conversation and transmits it to a portable computer worn on the user’s waist. This computer in turn transmits the information to a remote server, which is responsible for carrying out the heavy processing of converting the speech to text, translating it and sending it back to the wearable parts of the system to be displayed on the retinal display.
The visual crossover between industrialization and science in Fritz Kahn's artwork demonstrates surprisingly accurately how human nature became culturally encoded by placing the knowledge in an industrial modernity of machine analogues. He produced lots of illustrations that drew a direct functional analogy between human physiology and the operation of contemporary technologies. Therefore, by illustrating the body as a factory, Kahn was able to relate the body’s complex organic interior to the industrialized space so common in society during that period of time (the poster was created in 1926).
The result clears the way for governments or their designees to submit requests for specific names, likely beginning Nov. 16. Internet users could start seeing them in use early next year, particularly in Arabic, Chinese and other scripts in which demand has been among the highest, ICANN officials say.
"This represents one small step for ICANN, but one big step for half of mankind who use non-Latin scripts, such as those in Korea, China and the Arabic speaking world as well as across Asia, Africa, and the rest of the world," Rod Beckstrom, ICANN's CEO, said ahead of the vote.
