gail's Comments

Actually I think what Chris means is that the figure wasn't intended to represent an angel, but rather a random kid from the family that commissioned the painting. I wouldn't want to make a judgment on that without seeing the painting in color and at a better resolution. I'm assuming that the people who studied the painting had a better perspective than we do with the small B&W reproduction.
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The thing I like about this article is how the child was billed as "beautiful" and an example of "nature's whimsy," etc, rather than as a person with a skin disorder. The people back then didn't know this wasn't a "normal" variation, and they liked it. They thought it was pretty. Of course the child was exploited, but he was also loved and admired. A very interesting peek into a different social milieu
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JT, I was just adding my two cents too. Nicholas, that sort of thing drives me crazy. I'm a teacher at a university and every semester I have to fill out a form saying how many of each "race or ethnicity" are in my classes. I just guess based on names and tans, but I've strongly objected to the whole procedure -- like you're never going to run into a blond "hispanic" for instance...And why is it anybody's business but their own what ethnicity people identify with?
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The exhibition also includes Marie-Sabina, etc., but I was mainly interested in George Alexander because of the stunning portrait and the strange relationship between him and his manager/guardian. Vitiligo is particularly interesting for the racial ambiguities and questions it raised at the time. Now it's a fairly well known and not very dramatic skin disorder, but then it had powerful philosophical and social implications.
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The Royal College of Surgeons uses the terms piebaldism on this site, which deals with historical cases, and vitiligo on another site referring to more modern cases.
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Profile for gail

  • Member Since 2012/08/04


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