I do get that, but I have to say when I was younger there were definitely superhero comic books that I started following if they added a favorite artist, and stopped following if they dropped him. I can't say the same about the writers.
I notice the importance of drawing skill seems to be at an all time low. Stick figures are plenty good enough, now. Not sure how I feel about that. On the one hand it showcases the writing and ideas in the strip. On the other, I dunno, I like to see good drawings.
I would make Ghostbusters IV about an estranged Peter Venkman and Raymond Stantz, who meet on the occasion of the funeral of their friend, Egon Spengler. The two are called upon to resolve a supernatural crisis, only to realize that to succeed they must be a trio again, and join forces with their late colleague, who is ideally situated to help them from the other side.
It's interesting to see how the problem of movement is handled in animation of wooden characters these days. The grandmother willow tree in Pocahontas has a somewhat segmented, plate-like feeling to her skin, but I was really noticing it in the 'Guardians of the Galaxy' trailer the way the plant creature's 'muscles' slid against each other like rigid vines, instead of stretching and compressing.
http://www.peterkuper.com/comix/C-n-B15.html
I notice the importance of drawing skill seems to be at an all time low. Stick figures are plenty good enough, now. Not sure how I feel about that. On the one hand it showcases the writing and ideas in the strip. On the other, I dunno, I like to see good drawings.