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Atlas Obscura is running a series called the 31 Days of Halloween on their blog. One post tells how made-up ghost stories can lead to frightening real stories of graveyard shenanigans, as happened at London’s fashionable Highgate Cemetery in the 1970s.
Though the details are a bit murky, it began with reports of a “creature” in the graveyard. The story was likely generated by one of the two main players in the incident magicians / exorcists / full-on maniacs Seán Manchester and David Farrant. Eventually the story became that it was a vampire (a Transylvanian prince brought to the cemetery in the 1800s) and Manchester and Farrant both vowed to hunt down and kill the beast. (They also pronounced each other charlatans.)
As described in the (not to be fully trusted) book Beyond the Grave, “many claimed to see a particular creature hovering over the graves. Scores of ‘vampire hunters’ regularly converged on the graveyard in the dead of night. Tombs were broken open and bodies were mutilated with wooden stakes driven into their chests. These stolen corpses, turning up in strange places, continuously startled local residents. One horrified neighbor to the cemetery discovered a headless body propped behind the steering wheel of his car one morning!”
Read the whole story at Atlas Obscura. Link
(Image credit: Flickr user Leo Reynolds)
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An inflated sculpture named “Is Land” was deployed at the Secret Garden Party music festival in Cambridgeshire, England. The £9,000 helium-filled sculpture is seven meters wide and looks like a chunk of land with grass and trees on top. The island drifted off after someone cut the ropes tethering the balloon on July 24th and is now nowhere to be found. Anyone who sees the island is asked to report it to the project’s website. Donations to the site will go toward getting a second sculpture ready for Burning Man. Link to story. Link to website. -via Fortean Times
The following article is from the book Uncle John’s Heavy Duty Bathroom Reader.
More than 30 years after his death, the Who’s drummer, Keith Moon, is still remembered as one of the best in rock history. And as more than one hotel chain learned to their regret, that wasn’t all he was known for.
MY GENERATION
In the summer of 1967, the British rock group the Who embarked on their first concert tour of the United States. They were the opening act for Herman’s Hermits, best known for their hit single, “Mrs. Brown You’ve Got a Lovely Daughter.” The Who had played dates in the U.S. before, including their breakthrough appearance at the Monterrey International Pop Festival just a few weeks earlier in June. But this was the band’s first cross-country tour, and there was still much about America that was new and unfamiliar to them. (Image credit: Wikipedia user MachoCarioca)
Take American fireworks, for example: In many Southern states, giant firecrackers much more powerful than the “penny bangers” sold in England were perfectly legal. They could be bought cheaply and in large quantities all over the South. The Hermits had discovered them on their first American tour in 1965, and now, on a swing through Alabama, they introduced Keith Moon, the Who’s 20-year-old drummer, to his first bag of American fireworks -cherry bombs.
Cherry bombs are still sold today, but in the 1960s they contained as much as 20 times the explosive power they do now -more than enough to maim or blind anyone who was holding them when they went off, or who happened to be standing too close. The U.S. Consumer Product Safety Commission banned original-strength cherry bombs in 1966m but judging from the reign of terror on which Keith Moon was about to embark, they must have still been available.
more …
Sick and tired of getting their signposts stolen over the years, the villagers of Shitterton decided to make one that’s a bit more difficult to steal: a stone sign that weigh more than a ton.
Ian Ventham, 62, chairman of the parish council, who lives at Shitterton Farmhouse with his wife Diana, 61, said: "We have lived here for the last 20 years and during that time the sign has been nicked at least three times. We think it was kids who would like to have it stuck on the wall in a den somewhere because it’s quite an interesting sign.
"I don’t think it was malicious, they just did it for fun, but it was exasperating for us. We would get a nice new shiny sign from the council and five minutes later, it was gone."
Not only was the lack of a sign annoying, he said, but "it could make life confusing for delivery drivers". "It was my wife’s idea to carve it out of stone," he said. "We thought, ‘Let’s put in a ton and a half of stone and see them try and take that away in the back of a Ford Fiesta’."
That sounds like a challenge to me. Link
Previously on Neatorama: 10 American Towns with Weird Names
Can vandalism be art? Can breaking a window be considered as art? That is the thesis of Kevin Harman, who filmed himself smashing an art gallery’s window (he notified the gallery beforehand, but refused to reveal the date and time he’d actually do it).
Artists seem to agree with him, as many of them are offended that the director of the art gallery, Kate Gray, whose window got smashed took the artist to court:
"They should have shaken his hand and bought him a drink," declared Royal Academician Michael Sandle. Edinburgh art guru Richard Demarco, whose foundation recently awarded Harman a £2,000 scholarship, described the gallery’s action as "intensely regrettable", and the artist as "a serious, hard-working and gifted person".
Gray was unavailable for comment, as was the Edinburgh College of Art, where Harman is in the second year of a master’s course. It is understood that several of his tutors had been supportive of the project, which was initially labelled Brick. The scaffolding pole was substituted as a safer option.
The student, who has a piece in the current show of the Royal Scottish Academy, explained that he was less distressed by the fine than by the Collective’s dismissal of his work as "vandalism", as the charge sheet put it. "There have got to be serious questions asked of their position as arbiters of art," he told the Guardian.
What do you think? Can vandalism be art? If so (like, for example, graffiti), where do you draw the line? Link (with video of the incident)
Previously on Neatorama: Soap Not Spray Can: Reverse Graffiti Art
A deviant artist nicknamed ULiveandYouBurn turned roadside traffic safety barrels into monsters and alligators, but is it art or vandalism?
Sometimes there’s a fine line between art and vandalism. Blurring that line is Raleigh, North Carolina-based ULiveandYouBurn (nickname used to protect his identity). Part Urban Explorer, part fine-art photographer and social critic, ULiveandYouBurn is constantly pushing the boundaries of acceptable art.
As an Urban Explorer, he’s traveled into many closed-off areas including construction sites, abandoned buildings, and mine shafts, and he’s climbed his share of dizzying construction cranes.
From the Upcoming 
ueue, submitted by StigNordas.
7th March 1913: Suffragettes jailed for Kew Gardens blaze
Two women were sent to jail for an arson attack which destroyed the tea pavilion at the Royal Botanic Gardens in Kew, west London.
Lilian Lenton and Olive Wharry, Suffragettes linked to the Women's Social and Political Union, had been arrested nearby on the night of the fire.
Found guilty, they were sentenced to 18 months imprisonment at the Old Bailey in central London.
Both were sent to Holloway prison in north London to serve out their sentences but immediately went on hunger strike, saying that they would not eat until they were released.
Lenton was quickly freed after she became seriously ill following an attempt by the prison authorities to force-feed her.
After a 32-day hunger strike, which she apparently managed to keep a secret from the guards, Wharry was also released.
From the Upcoming Queue, submitted by 
