Hitch from Pascal Monaco on Vimeo.
This film short, designed and produced by Felix Meyer, Pascal Monaco and Torsten Strer, tells you exactly how to cook up films like the famed director. It’s sprinkled liberally with Hitchcock references, from the MacGuffin martini to the chocolate syrup used for blood in the Psycho shower scene. And the voiceover is just perfect.
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Psycho
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Link: Shower Curtains from the NeatoShop
On June 16th, 1960 -fifty years ago today- moviegoers were treated to a new Alfred Hitchcock film that would change the idea of horror films forever. It was the release date for Psycho, the psychological thriller that introduced us to Norman Bates and The Bates Motel. The simple act of taking a shower become a frightening experience for those who saw the movie. Open Road Media selected this anniversary date to release an ebook version of the nonfiction masterpiece Alfred Hitchcock and the Making of Psycho by Stephen Rebello, which takes a deeper look at Hitchcock’s masterpiece.
Alfred Hitchcock and the Making of Psycho is a behind-the-scenes look inside the classic suspense shocker—and the creative genius who revolutionized filmmaking.
Author Stephen Rebello explores the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion. Filled with insights from the film’s stars, writers, and crewmembers, Alfred Hitchcock and the Making of Psycho is a riveting and definitive history of a signature Hitchcock cinematic masterpiece.
The ebook (available now) covers every step of the story of Psycho, from the crime that inspired the novel and then the movie, financing, casting, filming, special effects, trivia, to the reception the public gave the film. Read about the many versions of the story Hitchcock rejected and the writers tweaked, the careful planning that allowed shooting to be completed in just a month, and the trademark suspense Hitchcock used to hype the unveiling of the finished product.
Reprinted here with permission is the very first chapter, the story of murderer Ed Gein, which inspired novelist Robert Bloch to write the story that became the movie Psycho.
THE AWFUL TRUTH
There was a young man named Ed
Who would not take a woman to bed
When he wanted to diddle,
He cut out the middle
And hung the rest in a shed.
ANONYMOUS, 1957
In late November 1957, no one would have marked Plainfield as unlike any other hardscrabble, rawboned Wisconsin farm hamlet. That winter was especially raw. Ask any of the friendly townies of third- and fourth-generation German and French stock. In flat, laconic tones, they recite litanies of burst water mains and permafrost; of nights spent hunkering down against slashing winds and rains that blew east along Canada’s border. But that November also saw Plainfield mentioned in newspapers across the country. Remind these dairyland types about that little bit of business and their open faces wall up. They begin to study their shoes or make excuses before they beg off. That month, in 1957, Plainfield police smoked out an oafish fifty-one-year-old, odd-job-and-errands-man named Ed Gein (rhymes with mean) as one of the grisliest mass murderers America ever spawned.
Long before the headlines were to brand Gein as a bogeyman, his rural, God-fearing community of seven hundred had chalked him off as a crank. A perpetually grinning, unmarried recluse, Gein rambled over 160 ruined acres once farmed by his parents and brother. Even locals who never gave a second thought to hiring Gein for errands or baby-sitting had wearied of his harebrained theories. He liked to rag on the whys and wherefores of criminals who fouled up, or yammer endlessly, and pitifully, about women. Plainfield-ers recall his clinical obsession with anatomy and with the sex-change operation of Christine Jorgensen. But there was more to Gein than loony talk. That came home with a vengeance with the discovery of bloodstains on the floor of Bernice Worden’s general store on November 16.
Gay Carrington made a version of a few relevant scenes from the 1960 movie Psycho starring …dolls! -via Everlasting Blort
Psycho - Shower Scene (may not be suitable for younger audience) [YouTube
Link]
Motion picture decency standards in the 1960 didn't allow for things like nude women being stabbed to death in showers. Consequently, Hitchcock was forced to create the impression of nudity and violence without actually showing a breast, a buttock, or a knife puncturing skin. The result is a terrifying masterpiece of a montage. And even though it's probably the most analyzed (and parodied) 45 seconds in film history, we're willing to bet the following tidbits slipped past you.
Forget the bloody corpse in the bathtub: what really got "Psycho" censors worked up was the toilet. Just before stepping into that fateful shower, Marion tears up an incriminating note and flushes it. Hitchcock's close-up of the swirling commode water was the first ever allowed in an American film.
What looks like blood funneling down the drain is actually Bosco chocolate syrup. Hitchcock thought it looked more real in black-and-white than the fake stuff. Tastier, too.
The scene is composed of more than 90 shots seen in 70 different camera angles. It took Hitchcock and his crew an entire week to film it. To put that into perspective: The entire film took only six weeks.
The woman who played Janet Leigh's body double in about half of the shower-scene shots was named Myra Jones. In a sad case of life imitating art, Jones was stabbed to death in 1988. Her killer? A mentally disturbed handyman who targeted older women. He'd murdered at least one other before her - that police know about.
After the release of "Psycho," Hitchcock received an irate letter from a man whose daughter had refused to take baths after seeing the French thriller "Les Diaboliques" (in which a man is drowned in a tub). After seeing "Psycho," she refused to take showers as well. Hitchcock's reply? "Send her to the dry cleaners."
Although popular with most audiences, "Psycho" was reviled by ophthalmologists. Eye doctors everywhere pointed out that a corpse's pupil dilate, yet - in a stark close-up of her face after her supposedly deadly shower - Janet Leigh's eyes remain contracted. Ever the obsessed technician, Hitchcock listened, using dilating eyedrops for stiffs in all future films.
The article above was written by Ransom Riggs, as part of a longer article Alfred Hitchcock's Psycho in the Nov-Dec 2006 issue of mental_floss, published here with permission. Visit mental_floss for more fun stuff everyday!


