Famous Novelists on Symbolism in Their Work

Middle school and high school level English teachers are forever asking students to look for symbolism in the classic novels they read. The assignments are so ubiquitous that you have to wonder how this much symbolism actually gets written into so many great novels. In 1963, 16-year-old Bruce McAllister decided to get to the bottom of that question by writing to 150 novelists and asking them if they intentionally wrote symbolism into their works. He asked four questions altogether, and received replies from many of those authors.

“Do you consciously, intentionally plan and place symbolism in your writing?... If yes, please state your method for doing so. Do you feel you sub-consciously place symbolism in your writing?”

Jack Kerouac: "No."

Isaac Asimov: “Consciously? Heavens, no! Unconsciously? How can one avoid it?”

Joseph Heller: “Yes, I do intentionally rely on symbolism in my writing, but not to the extent that many people have stated…No, I do not subconsciously place symbolism in my writing, although there are inevitably many occasions when events acquire a meaning additional to the one originally intended.”

Ray Bradbury: “No, I never consciously place symbolism in my writing. That would be a self-conscious exercise and self-consciousness is defeating to any creative act. Better to let the subconscious do the work for you, and get out of the way. The best symbolism is always unsuspected and natural."

John Updike: “Yes—I have no method; there is no method in writing fiction; you don’t seem to understand.”

But that's just the beginning. Read what other authors said about this and McAllister's other questions at mental_floss. You have to wonder how many aspiring writers were discouraged by the unnecessary idea that good writing must be infused with symbolism. From what I've seen and read, good writing comes from practice more than anything else.


Comments (7)

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I like John Updike's response that some authors clearly do write symbolism into their works. T.S. Eliot comes to mind immediately. I recently read "The Wasteland" for the first time and came away asking, "Why is this guy considered a genius?"

But there's no shame in writing symbolically. Authors should just be self-aware about it.
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Steven, I have become a big fan. You are truly one of the most creative people on the planet. I love reading your articles on Neatorama, they make me laugh and think, and I hope they continue for a long time to come.

Your "Mean Cars" prediction is very interesting. It definitely came to pass. I was recently reading something about how US consumers want a mean-looking vehicle, while consumers in Japan were more interested in friendly-looking ones. I would like to see what a friendly-looking car would be when projected to the proportions of a Hummer, or does being a friendly-looking product require that it also be diminutive?

In any case, keep up the great work!
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Lulu: If there is any "propaganda" in this blog, it is definitely not an argument in favor of small cars. It should have been obvious – and if it wasn't it's my fault for not stating it more clearly – that there are problems when tall, heavy vehicles occupy the same road system as small econocars. The disparities are too great! In a future blog I plan to offer ideas for separate thoroughfares that isolate vehicles based on their size and mass.
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I always loved your Yogamobile design, myself!
Heck, I didn't even know what yoga was back then but I'd stare at that book page for hours imagining the fun of it.
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My previous car (in the mid and late 90s) was a tiny Honda Civic hatchback, and several times in morning rush-hour traffic of the 405, I had fantasized about a periscope... Eventually however, I settled for the more available solution of the day - a Jeep!

Ingeniously innovative and quite hilarious solutions, as usual, Steve! :)
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Girl: I usually design stuff – most of it silly – that I myself might like. The Yogamobile you refer to in WHAT THE WORLD NEEDS NOW is a car that I imagined I might like to ride in myself, even if I had not quite figured out what happens when you are sitting on a cushy rug in meditation posture and the driver brakes or accelerates suddenly!
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This is absolutely hilarious! I love it! I have similar wild ideas, but — darn — I don't have the talent to draw.

I love this post so much, I'm linking to it in my next blog post: trafficfrustrationblog.com. On this blog, I discuss this and other frustrations with driving. Thanks for sharing these ideas with the world!
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