The Stories Behind Hollywood Studio Logos

Posted by Alex in Movies & SciFi, Neatorama Only on December 3, 2008 at 1:02 pm


You see these opening logos every time you go to the movies, but have you ever wondered who is the boy on the moon in the DreamWorks logo? Or which mountain inspired the Paramount logo? Or who was the Columbia Torch Lady? Let's find out:

1. DreamWorks SKG: Boy on the Moon

In 1994, director Steven Spielberg, Disney studio chairman Jeffrey Katzenberg, and record producer David Geffen (yes, they make the initial SKG on the bottom of the logo) got together to found a new studio called DreamWorks.

Spielberg wanted the logo for DreamWorks to be reminiscent of Hollywood's golden age. The logo was to be a computer generated image of a man on the moon, fishing, but Visual Effects Supervisor Dennis Muren of Industrial Light and Magic, who has worked on many of Spielberg's films, suggested that a hand-painted logo might look better. Muren asked his friend, artist Robert Hunt to paint it.

Hunt also sent along an alternative version of the logo, which included a young boy on a crescent moon, fishing. Spielberg liked this version better, and the rest is history. Oh, and that boy? It was Hunt's son, William.

The DreamWorks logo that you see in the movies was made at ILM from paintings by Robert Hunt, in collaboration with Kaleidoscope Films (designers of the original storyboards), Dave Carson (director), and Clint Goldman (producer) at ILM.


Photo courtesy of Robert Hunt - Thanks for the neat story, Robert!

2. Metro-Goldwyn-Mayer (MGM): Leo The Lion

In 1924, studio publicist Howard Dietz designed the "Leo The Lion" logo for Samuel Goldwyn's Goldwyn Picture Corporation. He based it on the athletic team of his alma mater Columbia University, the Lions. When Goldwyn Pictures merged with Metro Pictures Corporation and Louis B. Mayer Pictures, the newly formed MGM retained the logo.

Since then, there have been five lions playing the role of "Leo The Lion". The first was Slats, who graced the openings of MGM's silent films from 1924 to 1928. The next lion, Jackie, was the first MGM lion whose roar was heard by the audience. Though the movies were silent, Jackie's famous growl-roar-growl sequence was played over the phonograph as the logo appeared on screen. He was also the first lion to appear in Technicolor in 1932.

The third lion and probably most famous was Tanner (though at the time Jackie was still used concurrently for MGM's black and white films). After a brief use of an unnamed (and very mane-y) fourth lion, MGM settled on Leo, which the studio has used since 1957.

The company motto "Ars Gratia Artis" means "Art for Art's Sake."

Sources: MGM Media Center | Wikipedia entry on "Leo The Lion"

3. 20th Century Fox: The Searchlight Logo

In 1935, Twentieth Century Pictures and Fox Film Company (back then mainly a theater-chain company) merged to create Twentieth Century-Fox Film Corporation (they later dropped the hyphen).

The original Twentieth Century Pictures logo was created in 1933 by famed landscape artist Emil Kosa, Jr. After the merger, Kosa simply replaced "Pictures, Inc." with "Fox" to make the current logo. Besides this logo, Kosa was also famous for his matte painting of the Statue of Liberty ruin at the end of the Planet of the Apes (1968) movie, and others.

Perhaps just as famous as the logo is the "20th Century Fanfare", composed by Alfred Newman, then musical director for United Artists.

4. Paramount: The Majestic Mountain

Paramount Pictures Corporation was founded in 1912 as Famous Players Film Company by Adolph Zukor, and the theater moguls the Frohman brothers, Daniel and Charles.

The Paramount "Majestic Mountain" logo was first drawn as a doodle by W.W. Hodkinson during a meeting with Zukor, based on the Ben Lomond Mountain from his childhood in Utah (the live action logo made later is probably Peru's Artesonraju). It is the oldest surviving Hollywood film logo.

The original logo has 24 stars, which symbolized Paramount's then 24 contracted movie stars (it's now 22 stars, though no one could tell me why they reduced the number of stars). The original matte painting has also been replaced with a computer generated mountain and stars.


Paramount logo history, for more details, see: CLG Wiki

5. Warner Bros.: The WB Shield

Warner Bros. (yes, that's legally "Bros." not "Brothers") was founded by four Jewish brothers who emigrated from Poland: Harry, Albert, Sam, and Jack Warner. Actually, those aren't the names that they were born with. Harry was born "Hirsz," Albert was "Aaron," Sam was "Szmul," and Jack was "Itzhak." Their original surname is also unknown - some people said that it is "Wonsal," "Wonskolaser" or even Eichelbaum, before it was changed to "Warner." (Sources: Doug Sinclair | Tody Nudo's Hollywood Legends)

In the beginning, Warner Bros. had trouble attracting top talents. In 1925, at the urging of Sam, Warner Bros. made the first feature-length "talking pictures" (When he heard of Sam's idea, Harry famously said "Who the hell wants to hear actors talk?"). That got the ball rolling for the studio and made Warner Bros. famous.

The Warner Bros. logo, the WB Shield, has actually gone many revisions. Jason Jones and Matt Williams of CLG Wiki have the details:


Warner Bros. Logo History - see the full details at CLG Wiki

If you're interested in WB cartoons, you can't go wrong with Dave Mackey's Field guide: Link

6. Columbia Pictures: The Torch Lady

Columbia Pictures was founded in 1919 by the brothers Harry and Jack Cohn, and Joe Brandt as Cohn-Brandt-Cohn Film Sales. Many of the studio's early productions were low-budget affairs, so it got nicknamed "Corned Beef and Cabbage." In 1924, the brothers Cohn bought out Brandt and renamed their studio Columbia Pictures Corporation in effort to improve its image.


Vintage Columbia Pictures Logo (Source: Reel Classics)

The studio's logo is Columbia, the female personification of America. It was designed in 1924 and the identity of the "Torch Lady" model was never conclusively determined (though more than a dozen women had claimed to be "it.")

In her 1962 autobiography, Bette Davis claimed that Claudia Dell was the model, whereas in 1987 People Magazine named model and Columbia bit-actress Amelia Batchler as the girl. In 2001, the Chicago Sun-Times named a local woman who worked as an extra at Columbia named Jane Bartholomew as the model. Given how the logo has changed over the years, it may just be that all three were right! (Source)

The current Torch Lady logo was designed in 1993 by Michael J. Deas, who was commissioned by Sony Pictures Entertainment to return the lady to her "classic" look.

Though people thought that actress Annette Bening was the model, it was actually a Louisiana homemaker and muralist named Jenny Joseph that modeled the Torch Lady for Deas. Rather than use her face, however, Deas drew a composite face made from several computer-generated features (Source: Roger Ebert, Photo: Kathy Anderson)

 

Obviously, we're missing the stories of the logos of many other film studios. We'd love to hear from you if you know any! Please tell us in the comment section.

If you like this article, please check out Neatorama's articles on logos:


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COMMENT

106 comments to "The Stories Behind Hollywood Studio Logos"

  1. Mr. BabyMan
    December 3rd, 2008 at 1:09 pm

    Another brilliant post, Alex! I fully expect this one to be ripped of by dozens of splogs for years to come (that’s a compliment, BTW).

  2. graffiksguru
    December 3rd, 2008 at 1:17 pm

    Alex, I love these kinds of posts! Keep up the awesome work!
    Mr. Baby Man, I think you need to submit some more Digg stories :)

  3. nate
    December 3rd, 2008 at 1:24 pm

    nice post!
    I especially love how they adapt the opening animation for films to set the tone of the movie.

  4. geoff
    December 3rd, 2008 at 2:01 pm

    Where’s Universal?
    I especially love the universal pictures 75th Anniversary Logo, the music was epic compared to the newest logo. I hope they do something special for the centenary.

  5. Justin
    December 3rd, 2008 at 2:12 pm

    I have never noticed until now, but almost all of these logos have clouds and a skyline in them. I wonder if there is a reason behind that.

  6. Alex
    December 3rd, 2008 at 2:12 pm

    Thanks, Mr. Baby Man and graffiksguru! How did that saying go again, “Imitation is the sincerest form of flattery”? ;)

    Re: Universal. I can’t find any story behind the globe logo. Does anyone know? Hollywood Lost and Found has a neat article about it, but there’s not a lot of story as to why it’s a globe.

  7. wendy
    December 3rd, 2008 at 2:19 pm

    I’ve always thought that the producers of the Oscars should do a musical live action montage of the big studios, with Annette Benning as the Columbia chick. Then she could introduce the first Oscar or something. Alas, no one has taken me up on my idea.

  8. Robert
    December 3rd, 2008 at 2:31 pm

    You missed the short-lived “modern” version of the MGM lion which was reportedly only used on two films (one of them being Kubrick’s “2001″). You can find a copy of it here:
    http://www.solarnavigator.net/films_movies_actors/metro_goldwyn_mayor. htm

  9. TwoDragons
    December 3rd, 2008 at 2:53 pm

    I wanna hear the story behind the THX noise. That one makes my ears itch…

    –TwoDragons

  10. Box Brown
    December 3rd, 2008 at 3:12 pm

    Did we miss the fact that the 20th Century Fox fanfare creater Alfred Neuman is Randy Neuman’s Grandfather. Randy Neuman actually added the second part of the fanfare as it is heard today.

  11. liphttam1
    December 3rd, 2008 at 3:19 pm

    Wow. I never knew that. Nor did I ever want to know. But know I’m glad that I did! The boy on the moon was insane!

  12. SenorMysterioso
    December 3rd, 2008 at 3:26 pm

    which was the one that used to show a pegasus?

  13. Stan Gilbert
    December 3rd, 2008 at 3:33 pm

    There are a few more subtilties in the evolution of these logos that room does not allow, particularly for 20th Century Fox, which also used a higher angle on the logo for big budget musicals and the Alfred Newman extention cue for CinemaScope productions, starting with “The Robe”.

    For more on this and the RKO logo story, check out http://hollywoodlostandfound.net/stories/studiologos/

  14. MCW
    December 3rd, 2008 at 3:58 pm

    I mentioned on Cinematical (Who linked this) that Lionsgate and New Line Cinema are my favorite logos. They are usually (Lesser in Lionsgate’s case) synonymous with good films, so I associate their logos with quality films.

    I appreciate the stories behind the ones you’ve presented here though.

  15. Alex
    December 3rd, 2008 at 4:13 pm

    TriStar Pictures, a subsidiary of Columbia, has the Pegasus logo. I can’t find a background story to go along with it.

  16. Johnny Cat
    December 3rd, 2008 at 5:12 pm

    I can name the studio by the logo lede within a couple of seconds, if it’s not something new, impressing friends uselessly. Spyglass, New Line, they’re all unique and memorable. I’ll never forget the first time I saw the lede for Simpson/Bruckheimer with the speeding road/lightning strike. I was like, “Whoa, what movie is this?

  17. Albo
    December 3rd, 2008 at 5:41 pm

    For the 2000 film “What Planet Are You From?”, staring Bening, they actually replaced the Torch Lady logo with Bening’s face.

  18. Evilbeagle
    December 3rd, 2008 at 7:18 pm

    Great post! I always did wonder about the Torch Lady. There was always something familiar about her that I could never pin point. This explains why! She is every model and no model.

  19. tristar
    December 3rd, 2008 at 7:48 pm

    tristar?

  20. Dee
    December 3rd, 2008 at 9:04 pm

    I always loved the opening of the first Indiana Jones “Raiders” film where they incorporated the Paramount logo into the opening scene in that beautiful transition.

  21. illfigure
    December 3rd, 2008 at 10:00 pm

    good job at not including any real information. this reads like a public school history book of names and dates, but no substance. the real purpose of the logos is, of course, magick. miss columbia is the mother goddess holding up the light of the male goddess, the warner, mgm, and paramount logos are sun symbols (in jewish semiotics, which all the studios are formed and run by jews, the sun and star of david are often interchangeable) and that’s just the beginning, the rabbit hole is much deeper. especially deeper than “welp, that’s what his son liked!”. next time, if you’re looking for a real story mister journalist, steer off the paved road. or if you’re content vomiting easily digestible trite for a safe trip home, ignore me and good job.

  22. Mega
    December 3rd, 2008 at 11:00 pm

    What about the Universal Pictures logo? That one is my favorite! Seeing it as Jaws or Jurassic Park begins still makes my heart sink.

  23. BOBBYHUNDREDS
    December 4th, 2008 at 12:00 am

    no mention of the fact that almost all of them incorporate looming clouds that surround the logo?

  24. meili_lo
    December 4th, 2008 at 12:39 am

    hi there… nice post! I featured this in my blog and giving credit to your site.

    http://any-some-every-thing.blogspot.com/

    do visit and it would be nice to hear what you have to say…thanks!

  25. BobDole
    December 4th, 2008 at 12:41 am

    Amazing!

  26. nasoma
    December 4th, 2008 at 1:17 am

    how about the Walt Disney/Disney Studio castle logo?

  27. Interesting Blog
    December 4th, 2008 at 1:27 am

    wow very interesting stories.

  28. jhkings
    December 4th, 2008 at 2:01 am

    The boy on the moon is an old story I’ve heard as a child in Vietnam, the very same that Dreamworks uses. I wonder where Robert Hunt got his inspiration from. Perhaps someone can trace this down? It’s called “Chu cui ngoi tren mat trang.”

  29. Alex
    December 4th, 2008 at 2:02 am

    Walt Disney = Disneyland castle. No background story there … ;)

  30. Poppe
    December 4th, 2008 at 2:46 am

    I love Universal’s logo from 1936 ( http://img48.imageshack.us/img48/7061/universallogo1936iv5.jpg). This one was recently used in Changeling, if you want to see it in action.

  31. Chris
    December 4th, 2008 at 2:55 am

    Great post. Very informative, well researched, and a very cool look into the history of Hollywood logos and marketing. It’s amazing how far the industry has come. Imagine someone wondering aloud why anyone would want to hear actors talk. Fast forward to today where our celebrity-obsessed culture wants actors not only to talk in their films, but also about politics, culture, and endless interviews.

    Thanks for stirring these thoughts.

  32. ntuser
    December 4th, 2008 at 3:01 am

    WOW very interesting stories. Thanks!!!

  33. Anon
    December 4th, 2008 at 7:30 am

    whats with the black face in the MGM logo?

  34. hoopie
    December 4th, 2008 at 9:08 am

    Did you notice how the Columbia model has gotten progressively skinnier over the years. Women used to look like women–maybe all the gay dudes in H-wood prefer gals to look like guys!

  35. Komb
    December 4th, 2008 at 10:10 am

    Very interesting post. I’ve always liked “Leo” the lion.

  36. Chelsea
    December 4th, 2008 at 10:24 am

    When I was in Dublin, a tour guide told my group that Leo the Lion was “discovered” at an Irish zoo. After being filmed for the MGM titles, he lived out a long and happy life as a national symbol in the Dublin zoo. You can still see his little house.

  37. DanielSIMON
    December 4th, 2008 at 10:53 am

    I don’t know if it helps, but i found something about universal logo here: http://www.closinglogos.com/page/Universal+Pictures?t=anon

  38. Griff
    December 4th, 2008 at 11:52 am

    Fox was far more than simply a theater chain company before it merged with Zanuck & Schenck’s Twentieth Century Pictures — it was still one of the largest and most productive studios in Hollywood, though it had fallen on hard times by the time of the merger. The real question about the Twentieth logo is whether it was borrowed from the logo of the famous Twentieth Century Limited train (which predated the formation of Twentieth Century Pictures) and is remarkably similar.

  39. Richard Adkins
    December 4th, 2008 at 12:46 pm

    This was a WONDERFUL article on the generation of studio logos. I am an art director designing film props and have been in the biz since ‘73 so I have been fortunate to have met some of the artists responsible for the logo work we see in film openings.

    What you have identified as the 4th Warner Brothers shield logo was created by Louis Fox, a staff artist at Warner Brothers at the time. Mr. Fox worked into his 80’s and was last known for doing the large art signs for “The Price is Right”.

    Also FYI the Universal chrome globe with the plane circling it and the rotating stars was done by John Harkrider, who worked in the scenic, art direction, costuming and set design field, having come from New York where he designed sets for Florenz Ziegfeld.

    Again, WONDERFUL work. More! More! More!

  40. John.BB
    December 4th, 2008 at 1:57 pm

    Amazing!!

  41. edhel_espyn
    December 4th, 2008 at 3:08 pm

    Loving this article! Nicely done! I’ve always wondered how these studio logos came about. Please add more in the future!

  42. Ali S.
    December 4th, 2008 at 3:36 pm

    Excellent article! I’ve always wanted to learn this stuff since I always see it before a movie and wondered about the origins of those logos. Bravo! :D

  43. FPM
    December 4th, 2008 at 3:52 pm

    I used to be a homeless rodeo clown but now I am a world class magician !

  44. Hediye
    December 4th, 2008 at 5:17 pm

    cool!

  45. Peter
    December 4th, 2008 at 5:26 pm

    Touchstone pictures has a golden smudge on top of a blue circle. A touchstone was a specific rock (blueish in color) that was used by gold miners. They would rub pieces of gold on it, and if the gold stuck, they new that it was actual gold (as opposed to iron ferrite - sp?). Thus… the logo.

  46. In the know
    December 4th, 2008 at 8:01 pm

    The Columbia pictures logo of the torch baring woman is based off of the Greek goddess Selene. She is not a “symbolization of America” as the author claims.

    Selene was the Greek goddess of lunar worship, noted for bearing a torch to illuminate the darkness. She is a symbol for knowledge in the sense that she reveals that which can not be seen by normal human eyes. It is for this reason the Illuminati have adopted the torch as their symbol. Also the Statue of Liberty is based off of Selene.
    Some speculate the Greeks derived their goddess Selene from the Egyptian goddess Isis, mother of Horus, who is historically depicted bearing a lantern.

    Try doing some research instead of making blanketed assumptions, I know American pride sells itself easily, but your just misinforming people.

  47. Maria
    December 4th, 2008 at 9:17 pm

    Thanks for the excellent post. I love reading trivia like this.

  48. Rocky Rook
    December 4th, 2008 at 9:43 pm

    I’ve always liked the 72-84 WB logo.

  49. Linda
    December 4th, 2008 at 11:24 pm

    For my art students, I often show a comparison between the reference photograph of the Torch Lady, the illustration painted by Michael J. Deas, and the Columbia logo as it appears in films. Her legs get longer and longer!

  50. raina_c
    December 5th, 2008 at 12:40 am

    Very interesting…Thank you!

  51. random_randy
    December 5th, 2008 at 5:37 am

    @In the know

    Sorry, but you’re wrong, while obviously Selene was the oldest known example there are plenty of others in between, with the Statue of Liberty being based on the roman Libertas i believe… with the Columbia logo looking pretty much like the Columbia from all the american drawings, plus a torch, which can easily be attributed to the Statue of Liberty i’d say that’s a pretty good explanation of where the makers got their inspiration.

  52. Insideguy
    December 5th, 2008 at 6:21 am

    You are too dependent on wiki as a source reference which has many factual errors as they are written by everyday people.

    The Stars on the Paramount logo do not represent movies stars but the different district offices of the company across the US. Paramount also got its name from a local Hollywood Apartment building. It was reduced to 22 stars about the time the logo was reworked, around the time Charles Bludhorn owned the studio because two district offices were closed. Barry Diller was running Paramount at that before he jumped ship to create the Fox network. He later became a billionaire in his own right and battled (and failed in his attempt) to buy the studio which went to its current owner Sumner Redstone, owner of the National Amusement Theater chain. That is intriguing in that the Supreme Court ruling of May 3,1948 (AKA US vs. Paramount) ordered Paramount and the other studios to divest themselve of their theater chain operations in an antitrust action. In the current economy Sumner Redstone is struggling to pay down his emormous debt load and is currently attempting to divest himself of his National Amusements Theater Chain in attempt to raise capital.

    THe Metro Lion story is a bit more interesting than what you portray. Marcus Loew was struggling to find a steady stream of good films for his chain of theaters. Adolf Zukor of Famous Players had been his best Vendor until Zukor started raising his prices by demanding a percentage of the box office take. In 1924 Loew controlled Metro Pictures, which merged with the foundering Goldwyn Pictures (which had lost all of its management executives, and Louis B. Mayer Productions to form Metro-Goldwyn Mayer. Goldwyn brought added value in own a large studion with a distribution organization solidly in place. Marcus Loew, however, was said to find the Metro Pictures logow ith a sqawking parrot annloying and opted instead for Goldwyn’s logo with the Roaring Lion. Also worth noting that is the fact that aside from providing the logo and his name in the middle of it all, Samuel Goldwyn nver actually worked for or with MGM. He istead went off to start Samuel Goldwyn Films

    You can find most of this information in such books as THE PARAMOUNT STORY by John Douglas Eames, THE MGM STORY by John Douglas Eames (1975), and Mayer and Thalberg: Make Believe Saints by Samuel Marx(1975.

  53. dick price
    December 5th, 2008 at 7:43 am

    I can’t recall the movie title, but I LOVED it when at the end of a horror, Vincent Price-y sort of thing the Torch Lady was serenely cradling her head in the crook of her arm.

  54. wieland
    December 5th, 2008 at 8:47 am

    “The Big W” which Warner Bros. used from 1972 on was designed by Saul Bass.

  55. Isil
    December 5th, 2008 at 9:15 am

    The Disney Castle is based on the 19th-century Neuschwanstein Palace in Bavaria, Germany. It was commissioned by king Ludwig II, cost a fortune and was one of his many fantasy castles. The king was called the fairy-tale-king, avoided wars and became popular for doing many strange things cause of his mental illnesses. The palace is the most photographed building in Germany and is one of the country’s most popular tourist destinations.

  56. Jean Snow
    December 5th, 2008 at 9:30 am

    Says Inside Guy:
    “The Metro Lion story is a bit more interesting than what you portray. Marcus Loew was struggling to find a steady stream of good films for his chain of theaters.”

    Lowe (with umlaut - two dots - over the “o” or otherwise written Loewe is the German word for lion.

    Chappie

  57. gWallet
    December 5th, 2008 at 9:50 am

    Never would have thought of this as a post - but really, really cool info. Now I’m gonna look like hot $hit at trivia night what I bust out my “Dreamworks? Yeah, Spielberg, Katzenberg, and Geffen,” knowledge.

  58. Brent Smith
    December 5th, 2008 at 11:03 am

    Nice post! Thanks!

    I remember, though, something a park ranger pointed out in Montana’s Glacier National Park. As we were looking out over St. Mary’s Lake, she called our attention to a particular mountain peak and said it had been the inspiration for the Paramount logo. She said that, if you watch the first Popeye cartoons, you could see that mountain peak. The name of the mountain escapes me.

  59. That dude
    December 5th, 2008 at 4:01 pm

    The man in the Dreamworks picture looks creepy. I wouldn’t let him around children.

  60. FP
    December 5th, 2008 at 5:25 pm

    For a while, maybe in the 1960s, didn’t the Columbia logo lady have at least one tit out?

  61. calum
    December 5th, 2008 at 6:03 pm

    You’re missing Tristar as mentioned, Disney, Universal, Touchstone

  62. Achtung
    December 6th, 2008 at 5:52 am

    jozef, t’es un fif

  63. Terry Banks
    December 6th, 2008 at 6:01 am

    To: illfigure
    The pseudo-conspiratorial view is tiresome. All the studio founders were minority stock holders, due to the large amounts of capital needed to build the studios, fund the initial slate, stay afloat during rough times, etc. Louis B. Mayer, for example, was fired by the board of directors. Nor did the moguls families retain control over the studios. You also ignored Disney and several smaller studios that weren’t founded by Jews.

    Nor were the founders somehow trying to spread Judaism or Jewish culture somehow. In fact, almost all the founders downplayed or buried their heritage, changing their names, intermarrying, a couple even converting. Sun and stars are universal symbols for obvious reasons; there’s nothing specifically Jewish about any of the logos.

    In the know:
    It has nothing to do with “American pride”, but the judgment that a logo designed by an American for an American company in the 1930’s is rather more likely to be based on the Statue of Liberty than an ancient Graeco-Roman goddess. Of course, there are antecedents to the “standing woman with torch aloft” figure, but even those aren’t necessarily limited to Selene. The Statue of Liberty was actually designed in France, and thus may have much to do with the Marianne figure of the French revolution and republic.

  64. Ravenclawed
    December 6th, 2008 at 8:22 am

    A few observations …

    It’s interesting that in almost every case, the studios dispensed with their traditional logo in the 70s, only to revive the classic look later on. Quite a few also revive older logos for films set in the past (the old Universal logo at the beginning of `Ed Wood’ is one that springs to mind - more on that logo at http://www.closinglogos.com/page/Universal+Pictures?t=anon).

    Not long ago, I remember newspapers reporting the death of the woman who `had the most film credits of any actor’, because she’d posed for the Columbia logo. I’ve tried Googling to see if it was one of the women named in this article, but no luck.

    I also recall hearing about a stylised Art Deco Leo the Lion that was either briefly used or trialed and never used, back in the 1930s. Does this ring any bells with anyone?

  65. Marea
    December 6th, 2008 at 12:49 pm

    I loved this. Fascinating, well-written, and, although I haven’t fact-checked it, appears to be well-written.

  66. pleinderien
    December 6th, 2008 at 7:19 pm

    Great!

  67. hollywood globe
    December 7th, 2008 at 3:02 am

    I came across this blog - interesting read

  68. dommy
    December 7th, 2008 at 4:31 am

    i remember tristar was formed by HBO, CBS and Columbia which was owned by coca cola. I always thought it was symbolic of three star companies… tri star. but there was a tristar before they had their first film the natural so i don’t know if it was all new or they bought it out. coke bought out the other two companies and then sold it to sony and tristar was put to sleep and merged into columbia. love that flying horse the the music.

  69. Bisse Borjesson
    December 7th, 2008 at 4:53 am

    Great article but after mentioning Alfred Newman`s famous logofanfare I wonder if you can`t do the same about those companies Logofanfares, that would be a great accompany to this interesting article.

  70. Soulknock
    December 7th, 2008 at 5:49 am

    Great article, though I miss the story behind the Universal logo, as many other commenters do. I like the idea of “light spreads all over Earth”, which has been used for some years now.
    I’ve always been a “fan” of studio logos, my other favourites,which are not discussed here,includethe New Line Cinema, the Spyglass Entertainment and the Lakeshore Entertainment logos.
    In my opinion, Ravenclawed had a very fitting observation just a few comments above about the dispension of traditional Hollywood logos during the 70s (most notably of WB) - I think it was something to do with the breaking with the old Hollywood, after all it was a revisionist era in the movies and such great directors as F.F. Coppola, Robert Altman, Steven Spielberg or Peter Bogdanovich emerged, just to name but a few.

  71. soma
    December 7th, 2008 at 8:39 am

    What’s with the Lucha Libre mask beneath the MGM lion… I recently noticed that and it has bothered me since. Maybe someone tried to combine the comedy/tragedy masks into one…?

  72. waldolydecker
    December 7th, 2008 at 10:22 am

    Visual puns on well-known logos would be interesting to write about - for instance the Paramount mountain becoming a REAL mountain in the precredit sequence of RAIDERS OF THE LOST ARK, or the Columbia Statue screaming and running away fwhen seeing a tiny mouse in THE MOUSE THAT ROARED, etc. Hope you go on with Universal and RKO, both of high interest.
    I’ll mention this exciting piece on my french weblog. Thanks for it.

  73. Joey
    December 7th, 2008 at 12:24 pm

    Awesome read! I totally love movie trivia like this.

    I remember reading an article that said at the beginning of Dead Man Walking Torchlady’s face was replaced with Susan Sarandon’s face. Anyone catch/remember that? Am I on drugs? I can’t seem to find any facts to back me up…maybe it was a different film. And did TorchLady wink at the beginning of a movie too….?

    Whoever posted the comment about the studio logo setting them up for a good movie…. I love it see that Focus Features logo before a film! Or in the 90’s I used to believe any thing from New Line was made just for me! And though I’m not really that big of a Star Wars nerd, it’s fun to hear the yells of delight when the green Lucas Film Logo appears before a movie.

  74. Gale
    December 7th, 2008 at 2:59 pm

    I agree with Wendy, but I thought Annette Benning already model for the Columbia Torch Lady. She looks just like her.

  75. David Sparks
    December 7th, 2008 at 3:19 pm

    haha columbia the torch lady

    also known as the Goddess Columbia who happens to be the goddess of America that most people dont know about.

    seen in statue form all over our nations capital. if youve seen a female statue at any government building, it is the goddess columbia.

    not the torch lady haha

  76. Danny
    December 7th, 2008 at 6:23 pm

    What about Mel Gibson’s Icon film studio? You know, the one with the lightning, thunder and Inka-like face? A very cool logo indeed!!!

  77. mike weeks
    December 7th, 2008 at 6:38 pm

    Republic been gone so long, but they had good logos. The glass tower, and there famous eagle

  78. Dan Wilcox
    December 7th, 2008 at 7:51 pm

    Love this site.

  79. kenk
    December 7th, 2008 at 7:53 pm

    Realart was a small company in the late 40’s & early 50’s that mainly re-released Universal horror classics
    and Abbott & Costello comedies. The logo: 2 spinning film reels on the left and right with a piece of film
    spelling out “Realart” with an accompaning music cue.
    Recently I’ve only seen it on the front of the video
    for the movie “The Fighting Sullivans”.

  80. Dan Wilcox
    December 7th, 2008 at 7:53 pm

    I met Claudia Dell about 15 years ago at a party. She was a very funny old stout lady. Wish I’d known about the Columbia Logo. I could have asked her.

  81. Steven Nicholson
    December 7th, 2008 at 8:07 pm

    I believe one of the unnamed lions was called Steven. And was from a zoo in Ireland. Great blog entry. My favorite would be Warner Independent or Scott Free (sadly not mentioned).

  82. rip
    December 8th, 2008 at 5:13 pm

    excellent :D

  83. jasen
    December 9th, 2008 at 9:08 pm

    Interesting logo history… Thumbs up!!

  84. aidan
    December 9th, 2008 at 9:17 pm

    i never knew this! thanks for sharing!

  85. Daniele
    December 10th, 2008 at 8:07 am

    Well… it was actually ripped-off by one of the most important italian newspapers:
    http://www.repubblica.it/2008/12/sezioni/spettacoli_e_cultura/loghi-ho llywood/loghi-hollywood/loghi-hollywood.html?ref=hpspr1
    without even referring the source :-D

    Daniele

  86. rafb
    December 10th, 2008 at 10:50 am

    great compilation!

  87. Pola
    December 10th, 2008 at 2:52 pm

    I have noticed that one of the major Italian online newspaper, La Repubblica, often copies Neatorama content.
    In the past I tought that it was because news are news and are world-widely known, but when I find articles like this one: http://www.repubblica.it/2008/12/sezioni/spettacoli_e_cultura/loghi-ho llywood/loghi-hollywood/loghi-hollywood.html
    just 2 days after you published this post, I wonder if you should be at least given credits.

  88. Jangsoyoung
    December 11th, 2008 at 2:46 am

    sorry..
    I can not say in English.
    Google is using a translator.
    I would like to move to my blog post.
    This article will be translated into Korean.
    Blog address- http://blog.naver.com/nyovung
    Have a good day.

  89. Devlin Thompson
    December 11th, 2008 at 3:17 am

    The “modern” MGM logo mentioned by commenter #8 didn’t have a lot of use onscreen, but it was used for some years in print materials, as the MGM Records logo, and by the MGM Grand casino (I’ve got a couple of gold plastic swizzle sticks with it).

  90. Alfonso Lozano
    December 11th, 2008 at 3:54 am

    Estupenda reseƱa sobre la historia de estos logotipos.

    Hay un post de referencia en Portafolioblog.

    Saludos

  91. Dew
    December 11th, 2008 at 5:07 am

    Very interesting. I like all the conspiracy nonsense in the comments too. Man, some people just can’t read something interesting without trying to make it a world changing drama.

  92. Cindylover1969
    December 11th, 2008 at 2:13 pm

    “after mentioning Alfred Newman`s famous logofanfare I wonder if you can`t do the same about those companies Logofanfares, that would be a great accompany to this interesting article.”

    I have to agree, especially since they’ve had some notable composers - the current Universal fanfare is by Jerry Goldsmith (RIP), and the DreamWorks music is by none other than John Williams.

  93. tommy
    December 11th, 2008 at 6:54 pm

    Great history post. Great follow up as well.

  94. Ivo
    December 13th, 2008 at 11:36 am

    Heheh, such a usefull information, I have always wondered what those logos mean ..

  95. Dinflux Ed
    December 13th, 2008 at 11:52 am

    Great article, very informative and well researched. Gave you a link on my blog so my readers can come check it out.

    I love how the WB logo went through some horrible phases, they really should have just made up their mind…

  96. kazoo
    December 14th, 2008 at 9:04 am

    Interesting.

    Adding to what others have said about the female entity named “Columbia”

    http://en.wikipedia.org/wiki/Columbia_(name)

    She is the woman the District of Columbia (as well as many other things)is named after and her name is based on Christopher Columbus. So she is indeed “the female personification of America”

  97. Robert Miller
    December 14th, 2008 at 5:30 pm

    I found your article quite entertaining, and concise and informative. I think you did a great job. Though you have some negative comments, the article does what it is meant to do, entertain. I always look at articles like these as teasers, and a jumping point to do my own research. Well done.

  98. Ronald Crair
    December 14th, 2008 at 8:37 pm

    Paramount films. Am I the only one to see the Greek letters Alpha and Omega? The stars and the line acros the bottom makea the omega and the peek makes the alpha.

  99. Naomi
    December 19th, 2008 at 8:03 pm

    that’s pretty awesome. i just think there is a little lacking in the conceptual explanation of the logos. i want more :)

  100. Alex
    December 23rd, 2008 at 7:32 pm

    I got the following factoids from a ibrary assistant at the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences:

    Did you know that MGM used to use a young lion cub as their logo for their short films, ca: 1940 I’ve seen it in their promotional materials, but don’t know if he “roared”. I believe they referred to him as “Leo Junior”.

    I was able to print out your article on the various film studios’ logos, and it will be added to our file here at the library under “Trademarks”. And I found a bit more info for you. Hope you can find these articles by these citations:

    Variety (W) Sept. 1, 2008 “Leaping Logos! A limitless litany adorns every new pic” -by Peter Debruge

    Hollywood Reporter July 10, 2006 “Disney magic of old in new animated logo” -by Sheigh Crabtree (re: the new ‘castle’ logo that debuted with
    “Pirates of the Caribbean: Dead Man’s Chest”)

    and our most-recent entry is rather short, from the L.A. Times Nov. 7, 2008 “Updated style for MGM’s lion” -by Susan King

    Leo the Lion has had a makeover. The famed MGM logo feline has been digitally restored and given a new roar. The refurbished Leo will make his
    bow on the James Bond thriller “Quantum of Solace,” which opens in the U.S. on Nov. 14.

    The famed logo was designed by Howard Deitz 92 years ago for the Goldwyn Pictures Corp. and first appeared on the 1917 romance “Polly of the Circus.” Over the last nine decades, five different lions have been used as the logo. Slates, who was hired after the 1924 merger that created MGM, made his debut on the studio’s first feature, 1924’s “He Who Gets Slapped.” Jackie was the first of the lions to roar, thanks to a gramophone recording, for the 1928 adventure “White Shadow of the South Seas.”

    Leo has been king of the MGM logo for the last 51 years and was used in the digital restoration. The studio’s postproduction team scanned Leo into the computer from the original camera negative of 1958’s “Cat on a Hot Tin Roof” for his digital makeover. They enlisted sound designer Mark Magnini, who had recorded lion roars for the ghostly sound effects in 1982’s “Poltergeist.” Mangini used those 26-year-old elements to create a new stereo roar for the iconic lion.

    Thanks Kathryn!

  101. alizee
    December 24th, 2008 at 3:11 am

    Great article but after mentioning Alfred Newman`s famous logofanfare I wonder if you can`t do the same about those companies Logofanfares, that would be a great accompany to this interesting article..

  102. jaxon
    December 29th, 2008 at 12:16 am

    very interesting…I just stumbeled onto you….jax

  103. Maury
    December 29th, 2008 at 3:20 am

    I’ve heard the streak in the “Touchstone” logo is actually, Mickey Mouse from Fantasia, just skewed. Would make sense as Disney created Touchstone…

  104. LeeW
    December 30th, 2008 at 2:03 pm

    Fascinating stuff. Gotta confess: I HATE Tristar’s logo. Pegasus flying out of the screen toward the viewer scares the hell out of me. If I even hear that trumpeting music, I turn my head until it’s over!

  105. Balee
    December 31st, 2008 at 8:42 am

    Hi, I heard that in Paramount logo it is mountain Matterhorn (http://en.wikipedia.org/wiki/Matterhorn), isn’t it?

  106. Arrica Lee
    January 1st, 2009 at 10:23 am

    Great! I never know any of this before. Thanks for sharing!


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