Disco Fun Facts

Posted by Alex in Mentalfloss, Music on January 16, 2009 at 3:34 am

The following is reprinted from the May - June 2007 issue of mental_floss magazine.

PARDON OUR FRENCH

What do D-Day and disco have in common, besides the letter D? Nazis, of course! During World War II, when the Third Reich occupied Paris, jazz clubs were closed and live music of a liberal nature was strictly verboten! But Parisians couldn't live without their jazz, so they took it underground, opening illicit cellars where they could drink booze freely and listen to pre-recorded music. One such club, on Rue de la Huchette, called itself La Discothèque - coined from the French words for "record" (disque) and "library" (bibliothèque).

ALWAYS STARTIN' SOMETHIN'

Many elements of what we now call disco music appeared in songs like The Jackson 5's 1969 smash "I Want You Back" and Isaac Hayes' 1971 hit "Theme from Shaft." (Actual movie tagline: "The mob wanted Harlem back. They got Shaft ... up to here.") Chubby Checker even released a song back in 1964 titled "At the Discotheque."


[YouTube link: Soul Makossa live performance by Manu Dibango]

But most historians agree the first real disco record was 1972's "Soul Makossa" by the Cameroon-born sax player Manu Dibango. In the song, Dibango can be heard chanting Mama-se, mama-sa, mama-koo-sa. Sound familiar? It should. Michael Jackson used it 10 years later in his song "Wanna be Startin' Somethin'"

BEE KEEPING

Oddly enough, members of the disco super-group The Bee Gees never dug their moniker. In fact, after Robert Stigwood signed on as the band's producer in 1967, the group lobbied to change its name. But what could possibly be better than The Bee Gees? The band suggested Rupert's World. Luckily, their manager nixed the notion. Years later, singer Barry Gibb remarked, "It was like changing your name from Charlie S--t to Fred S--t."

"D" IS FOR DISCO

The success of "Saturday Night Fever" changed the face of disco forever. Suddenly, everyone was sporting white polyester suits - and not just Travolta wannabes. Rod Stewart, Cher, Bette Midler, The Rolling Stones, Dolly Parton, Andy Williams, David Bowie, Neil Diamond, and, yes, even Cookie Monster all donned disco-wear.

(Disco Kermit via Jonathan Mc [Flickr])

HEY MISSUS DJ, PUT A RECORD ON

Sometimes, bold experiments result in mundane things like polio vaccines (yawn.) But other times, they result in wild, earth-shattering breakthroughs! Case in point: 1953's birth of the DJ. That's when 24-year-old Regine Zylberberg, manager of Paris' famous Whisky a Go-Go, undertook an experiment to replace the club's jukebox with two turntables and a microphone.

In no time, DJs were pumping up the jam at parties the world over, as was Zybelberg. By the 1970s, she was running 25 clubs across Europe and the Americas. In fact, you could boogie down at Regine's establishments somewhere in the world 17 out of every 24 hours - assuming you could get in.

FIELD OF FLAMES

Because 1970s discos were often frequented by African-Americans, homosexuals, and working-class white women, the scene was perceived as a threat to the rock 'n' roll community, which had long been a Viking ship of straight white males. Their establishment's witty, orginal slogan - "Disco Sucks" - became popular in the later part of the decade and was available for purchase wherever fine rock T-shirt were sold. (Photo: Rich.lionheart via Wikipedia)

Album-oriented rock (A.O.R.) stations also fueled the anti-disco fire. On July 12, 1979, Steve Dahl, longtime DJ at Chicago's WDAI, staged Disco Demolition Night at Comiskey PArk, where the White Sox were playing a doubleheader. Fans bearing disco albums were admitted into the stadium for a mere 98 cents. Then, between games, they stormed the field to set their records ablaze. Some even detonated them with bombs.

As the fires roared, the masses chanted "Disco sucks!", whipping the stadium into a chaotic frenzy so threatening, the second game of the doubleheader had to be cancelled. Fittingly, more records were broken on July 12, 1979, than on any other day in baseball history.

"SATURDAY NIGHT FEVER": DISCO INFERNO OR DISCO INFURIATING?

THE STORY
IN THE FILM: Based on a 1976 article written by English rock critic Nik Cohn and published in the New York magazine under the title "Tribal Rites of the New Saturday Night."

IN REAL LIFE: In 1997, Cohn admitted the entire story was fabricated. He knew nothing about the world of disco and interviewed no one for his article.
HOMOSEXUALITY
IN THE FILM: The only two gay men in the movie appear in the basketball court scene, when Tony's cronies verbally harrass them.

IN REAL LIFE: Discos helped establish an openly homosexual community for thousands of gay men (not just the Village People).
AFRICAN-AMERICANS
IN THE FILM: Blacks appear on screen a whopping three times.

IN REAL LIFE: Discos were nothing if not places where blacks (and gays) went to escape the oppression of the straight, white world of rock 'n' roll.
MUSIC
IN THE FILM: The Bee Gees hold court - an all white, Aussie-Brit pop band that cut its teeth writing soft-rock ballads in the 1960s.

IN REAL LIFE: Discos were thumping to the groove of African-American soul and funk bands like The O'Jays, Harold Melvin & The Blue Notes, Love Unlimited Orchestra, and The Jackson 5.

 

The article above is reprinted from Scatterbrained section of the May - June 2007 issue of mental_floss magazine.

Be sure to visit mental_floss' website and blog for more fun stuff!

 
Comment (22)    Permalink   Please share:  email this         


Neatorama Shop » Science T-Shirts (Geektastic!)
Something Somewhere Went Terribly Wrong
See more Science T-Shirts »