HOME |
RSS | 
I know, it’s that tired old advice your mom has always given you: quitters never prosper; if you fall off the horse, get back on; finish what you started. But these authors are proof that just because you get rejected by a publisher or two (or three or 27) doesn’t mean you don’t have a classic on your hands.
William Golding’s Lord of the Flies is now studied in schools across the world. Time magazine ranked it as one of the top 100 English-language novels ever written. The book has sold more than 14.5 million copies since it was first published in 1954. And Golding won a Nobel Prize for Literature largely based on this particular work. So I bet the guy who read the original manuscript for it and declared it, “An absurd and uninteresting fantasy which was rubbish and dull” spent much of his career regretting his words.
The same could be said about George Orwell’s Animal Farm. It also made Time’s list of best English-language books ever written, ranked in at #31 on the Modern Library’s List of Best 20th-Century Novels, and won retrospective Hugo award in 1996. But not only was Orwell’s classic written off (and completely misunderstood) by a publisher who noted, “It is impossible to sell animal stories in the USA,” Orwell’s peer and good friend T.S. Eliot was also less than impressed. Orwell sent a draft to Eliot, who responded that the writing was good, but the view was “not convincing” and that publishers would only accept the book if they had personal sympathy for the “Trotskyite” viewpoint.
Moving on to a modern classic, Harry Potter and the Philosopher’s Stone. Plenty of publishers took a gander at the Chosen One and decided not to choose him, including bigwigs like Penguin and HarperCollins. Jo Rowling finally decided to try a small London firm called Bloomsbury, who accepted only after the CEO’s eight-year-old daughter read the book and declared it a winner. I’m sure I don’t have to tell you about all of the accolades and great commercial success that followed nearly immediately.
I’m not a big fan of the Chicken Soup for the Soul books myself, but there’s obviously an audience out there – there are now more than 105 titles under the Chicken Soup heading (including Chicken Soup for the Chiropractic Soul), they’ve been translated into 54 languages and there are more than 100 million copies in print. Who would have ever guessed that the book was turned down 33 times in a row before it found a willing publisher? Among the 33 rejections included gems like, “anthologies don’t sell,” and “too positive.”
Some authors like to get their digs in at the publishers who told them they were not marketable. e.e. Cummings, for example, couldn’t find a publisher for 70 Poems, so he borrowed $300 from his mom and printed it himself. But he got his digs in when he wrote a “poem” called “No Thanks,” arranged it to look like a funerary urn, and put it on the dedication page of 70 Poems. The “poem” consisted entirely of the publishers that had rejected him, including Simon & Schuster, Harcourt, Random House, Viking Press and Scribner.
Gone With the Wind – one of the most enduring novels and movies of all time, of course. There aren’t too many people who haven’t heard the phrase, “Frankly, my dear, I don’t give a damn.” But it was 38 publishers who didn’t give a damn originally. When Margaret Mitchell finally found a publisher in Macmillan (Macmillan also published White Fang and Call of the Wild), the book sold in stores for $3 apiece – quite a sum for 1936. Even at this rather high price point, the book sold more than one million copies by the end of the year. It won the Pulitzer Prize the following year, and of course became an Academy Award-winning film in 1939.
“His frenetic and scrambled prose perfectly express the feverish travels of the Beat Generation. But is that enough? I don’t think so,” is what one publisher said about Jack Kerouac’s On the Road. After it came out in 1957, The New York Times wrote a review that basically stated the exact opposite opinion: “The most beautifully executed, the clearest and most important utterance” of the generation. At least one author agreed with the rejector’s assessment of the novel, though: Truman Capote, who said of Kerouac’s work, “That’s not writing, that’s typing.”
It was actually thanks to a critic that Norman Bridwell finally got published. The author of Clifford the Big Red Dog had tried multiple publishers and was told repeatedly that his dog pictures were boring and unoriginal. One editor finally told him to create a story to go along with his illustrations in hopes that the story might spark a little more interest. So he did, and less than a month later, Scholastic Books sent Bridwell a contract to publish everyone’s favorite house-sized dog.
There aren’t many teenage girls who haven’t read at least one or two Judy Blume books. But according to Blume herself, she received nothing but rejections for about two years straight. Remember Highlights for Children magazine? She repeatedly tried to get pieces published with them; they liked to send back a form letter with all of the reasons checked as to why she was rejected. “Does not win in competition with others,” was always one of the reasons. Blume says she still can’t look at Highlights without wincing.
It’s no real surprise that Wikipedia has a thorough list of these, but it’s interesting to parse through the many, and find a neat collection of songs and albums that were based on, or influenced by books. Led Zeppelin has a scatological lyric library referencing JRR Tolkien, but let’s see what else is out there.
13. Alan Parson’s Project – The album is called Tales of Mystery and Imagination, and includes interpretations of Edgar Allen Poe’s best, like “The Raven”, “Dr. Tar and Professor Feather”, and “The Cask of Amontillado.” Here’s the awesome “Dream Within A Dream” video. Also by Parsons: “I, Robot” (Isaac Asimov).
12. Rivendell (Rush) – A quiet, thematic representation of the Elf version of a Bed & Breakfast. (Tolkien’s Lord of the Rings, of course.)
11. 2112 (Rush) - Side one* is loosely based on Anthem by Ayn Rand.
10. For Whom the Bell Tolls (Metallica) - Based on the classic by Ernest Hemingway.
9. The Thing That Should Not Be and The Call of Cthulu (Metallica) - These guys really let good classic fiction influence their songwriting. We get not one, but two songs in honor of H.P. Lovecraft’s best character. Also by Metallica: “One”, based on the book Johnny Got His Gun by Dalton Trumbo.
8. The Small Print (Muse) - “clearly alluding to Goethe’s Faust, being sung from the point of view of the Devil to someone selling their soul to him in exchange for, presumably, musical prowess and fame…” source
7. Anthrax Loves Stephen King - As do a lot of bands like Pennywise (It). But Anthrax named one of their best albums Among the Living after King’s character Randall Flagg in The Stand. They also penned a song called “Skeleton in the Closet” based on King’s “Apt Pupil”.
6. Tom Sawyer (Rush) - Wow, Rush. Even “Red Barchetta” is based on a vague book called A Nice Morning Drive by Richard S. Foster. At least Tom Sawyer is pretty well known both as a song and a book. Who can resist the urge to sing along when Geddy Lee croons, “The River!”
5. Tales of Brave Ulysses (Cream) - Psychedelically sums up all you need to know about all the ins and outs of Homer’s The Odyssey. And I quote, “Tiny purple fishes run laughing through your fingers…” (This was actually a lyric inspired by lyricist Martin Sharp’s travels in Ibiza.) But the Sirens are there, so that’s cool.
4. The Ghost of Tom Joad (Bruce Springsteen) - Based on The Grapes of Wrath by John Steinbeck. Henry Fonda and Bruce Springsteen would have had some cool conversations, I bet.
3. White Rabbit (Jefferson Airplane) -Based on Lewis Carroll’s Alice in Wonderland. Here’s a nice rendition of that song.
2. Animals (Pink Floyd) - It never actually occurred to me before, but an argument can be made that the Animals album, with it’s corrupt pigs (be they on the wing, or three different ones), dogs and sheep, political overtones… Yeah, it’s definitely based on George Orwell’s Animal Farm.
1. Iron Maiden (Pretty much every song of theirs, ever) - At least a heavy handful. These Brit bad boys of metal must have had some scratched up library cards. Their adaptations include:
On second thought, an honorable mention should be made for Led Zeppelin’s “The Battle of Evermore”, as it pretty much describes the Battle of Pellennor Fields in The Return of the King.
(Iron Maiden illustration by Ado Cedric & Tio Julio.)
*For help with determining what this means, ask a grownup.
