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You know it as Slaughterhouse-Five, but it goes by another name, too. The complete title of Kurt Vonnegut’s acclaimed novel is Slaughterhouse-Five, or The Children’s Crusade: A Duty Dance with Death, by Kurt Vonnegut, A Fourth-Generation German-American Low Living in Easy Circumstances on Cape Cod [and Smoking Too Much], Who, as an American Infantry Scout Hors de Combat, as a Prisoner of War, Witnessed the Fire Bombing of Dresden, Germany, ‘The Florence of the Elbe,’ a Long Time Ago, and Survived to Tell the Tale. This is a Novel Somewhat in the Telegraphic Schizophrenic Manner of Tales of the Planet Tralfamadore, Where the Flying Saucers Come From. Peace.
Weird, yes. But when you get to know the book, it actually makes a lot of sense. Even the bit about the flying saucers. Allow us to explain.
THE STORY
Slaughterhouse-Five isn’t told in the standard, chronological way. On the contrary, its main character, Billy Pilgrim, is an unwitting time traveler. One moment he’s living in 1945, then 1968, then 1954.
Arguably the novel’s most compelling sections take place during World War II, when young Billy is serving as a U.S. soldier. The Germans capture Pilgrim, who’s lost behind enemy lines, and take him to Dresden, a beautiful city untouched by war. There, he and other POWs are kept in an abandoned slaughterhouse, where they escape the Allied bombing of Dresden in an underground meat locker. Although they are safe, they can still hear the firebombs pounding above. And when they emerge, everyone has been killed, and everything destroyed.
Pilgrim returns to these memories frequently. But after coming home from the war, he marries, graduates from optometry school, and becomes a respected businessman. Despite such positive steps, tragedy seems to follow him. First, he turns up the sole survivor of a plane crash. Next, his wife dies in a car accident. Following these events, Pilgrim starts telling people he was kidnapped by aliens called Tralfamadorians, who taught him that the past, present, and future don’t really exist. Instead, they believe time is a conceptual whole. Pilgrim accepts the Tralfamadorian theory, and as he floats through the unalterable events of his life, he accepts that he has no power over his fate.
THE STORY BEHIND THE STORY
Dresden, Germany was indeed firebombed on the night of February 13thy, 1945, and Kurt Vonnegut was one of the POWs who witnessed the attack. On that evening, Allied forces killed at least 25,000 people (although some estimates that as many as 130,000 people died). Vonnegut decided to write about his experience in Dresden as soon as he returned from the war, but it took him more than twenty years to finish the book. While crafting the novel, he realized that conventional narrative structure imposed logic on events -and that the events he witnessed in Dresden had none. Slaughterhouse-Five therefore lacks conflict, climax, and conclusion. Thus, the short, episodic style of the novel doesn’t allow the reader to draw morals from the story, nor allow the characters to find peace. To underscore this point, he inserts himself into the narrative, making it clear that even the author can find no way to form a lesson from such horror.
WHY THE STORY MATTERS
ANTI-PLOT, NON-HERO: Vonnegut abandons traditional storytelling by drastically altering chronology. This strategy allows him to reflect Pilgrim’s disjointed reality and avoid a conventional plot. Vonnegut also discards the traditional literary hero. Christ-like in his suffering, Pilgrim does not act, but is instead acted upon -a victim of destiny without any motivation beyond basic survival. Through Billy Pilgrim, Vonnegut paints all participants of war as the “listless playthings of powerful forces.”
LITTLE GREEN CREATURES IN FLYING SAUCERS: The science-fiction segments of Slaughterhouse-Five strike most readers as bizarre, even distracting. Out of nowhere,. Billy Pilgrim is kidnapped, displayed in an alien zoo, and mated with a movie star. Vonnegut never says his alien stories are imaginary, but Pilgrim does read science-fiction novels with similar plots. Real or not, the Tralfamadorians are a coping mechanism that enables him to accept empty tragedies. He clings to the Tralfamadorian saying about life and death: “So it goes.”
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Literary VIPs
BILLY PILGRIM: Slaughterhouse-Five focuses on POW Billy Pilgrim. His first name (Billy, not William) marks him as permanently childlike. His last name identifies him as a voyager, but with one poignant exception: Billy is on a pilgrimage without a purpose.
KURT VONNEGUT: Vonnegut appears as a character in his own book, both in the semi-autobiographical first and last chapters and occasionally in the body text itself. He uses these appearances to remind the reader that many of the events are true, and that he experienced them himself.
Scenes to Remember
* Vonnegut visits his war buddy Bernard O’Hare to talk about Dresden. He’s surprised by the hostility of O’Hare’s wife, Mary, who accuses his books of portraying war as glamorous, as in a movie with Frank Sinatra or John Wayne. Vonnegut promises her Slaughterhouse-Five won’t have a part in it for Sinatra.
* Two days after the war ends, Pilgrim rides on the back of a green cart pulled by two horses. If he could choose to remember only the happy times and ignore the bad, this would be the moment he’d choose: lying in the sunshine with the birds singing in the trees. This is Pilgrim’s happiest memory -not his wedding day or the birth of his children, but an experience of simple animal comfort.
Famous Last Words
* “I happened to tell a University of Chicago professor at a cocktail party about the raid as I had seen it, about the book I would write. He was a member of a thing called The Committee on Social Thought. And he told me about the concentration camps, and about how the German had made soap and candles out of the fat of dead Jews and so on. All I could say was, ‘I know, I know, I know.’”*
*Though horrified by Nazi atrocities, Vonnegut refused to allow for a “just war” or a “right side.” He tried to curtail the inevitable criticism of the book by addressing it within the novel itself.
* “I am a Tralfamadorian, seeing all time as you might see a stretch of the Rocky Mountains. All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I’ve sad before, bugs in amber.”
__________________________
The above article by Elizabeth Lunday is reprinted with permission from the July-August 2005 issue of mental_floss magazine.
Be sure to visit mental_floss‘ entertaining website and blog for more fun stuff!
Stories can change your life – some inspire you to learn and to achieve, but alas some can lead to evil. Weird Worm has a list of 4 novels that inspired real life murders. Take, for example, John Fowles’ The Collector
The Book:
The first book in John Fowles’ distinguished career, “The Collector” (published in 1963) has been on the edge of popular culture for decades. It even inspired a highly regarded movie that almost nobody seems to remember. And maybe that’s for the best.In the novel, Frederick Clegg is an avid butterfly collector and with what seems to be a nasty version of Aspergers syndrome. Lacking social skills, he lives emotionally apart from the rest of the world until he wins a soccer pool that allows him to finally live physically apart from people as well. However he grows lonely in his cabin in the woods and kidnaps young Miranda, whom he had been obsessing over for quite some time, and keeps her in the cellar, adding her to his collection (book titles!). Anyway, some changing narration shows Miranda and Clegg’s twisted relationship, as well as the scope of Clegg’s illness. Let’s just say, in the end, he resolves to continue to add to his collection.
The Psychotic:
Christopher Wilder, a serial killer of eight young women in the early-mid eighties, was found to have the book in his possession when he shot himself. Robert Berdella, the Kansas City Butcher, tortured and killed at least six men in the 1980’s, and claimed to be inspired by the film version of the novel.The killers Leonard Lake and Charles Ng are the most closely tied to the book, as Lake was directly inspired by and obsessed with the novel. Lake sought his own potential Miranda’s, deemed “M-Ladies”, two of whom were abducted and ultimately killed. The pair also killed close to two dozen others. A chance arrest on a firearms charge related to shoplifting lead to their discovery, with Ng fleeing before being caught and Lake swallowing a hidden cyanide pill while in custody.
Read 3 more examples of novels that inspire (some) people to kill: Link
We’re thrilled to announce a new sub-blog we’re launching today, BitLit. Bit, as in binary digits, Lit, as in literature! As far as we know, this is unique to the blogosphere in that we’ll be serializing entire novels and short stories—even some poetry, many published by major publishers like Random House. Every day, a new chapter until the entire story is complete.
Plus, we’ll be interviewing authors and having contests to give away free, autographed copies of their books!
Today, we launch with three stories:
The first is an amazing short story called Nomen Ludi by Rob Beschizza, our pal over at boingboing. If you’re a fan of old computer games, like those created for the Amstrad CPC, if you love that kind of nostalgia, you’re going to love this one. You can read the entire story right here.
Next, we present the critically acclaimed, Frostbite, by David Wellington. Nipped by a wolf during an Arctic camping expedition, Cheyenne Clark suddenly finds herself feeling ferally frisky when the moon is up in Wellington’s far from routine werewolf tale. It turns out that Monty Powell, the loner who gives Chey refuge, is no ordinary guy, but the werewolf who turned her. But then Chey is no ordinary camper: she was sent to draw Monty out by a band of professional hunters who want the oil beneath the vast acreage Monty prowls—and to avenge the death of her father, whom Monty coincidentally slaughtered two decades before. Check out chapter 1 right here.
Finally, a novel that our own David K. Israel co-penned with author Jennifer Byrne called Trivial Pursuits, a novel that follows two protagonists as they try to come to grips with loss. Fareed is a 15-year-old Druze boy living in an RV cruising around Los Angeles with his father and trying to land a spot on the Jeopardy! Teen-tour. His world soon collides with Eos, an older girl who he quickly befriends and who is able to help him accept his mother’s death. Meanwhile Amy, who lives miles away in the Valley, is trying to deal with the loss of her infant-daughter. She relies on the help of an extra-marital lesbian affair that might quite possibly be her undoing. Start with Chapter 1, right here.
The following is an article from Uncle John’s All-Purpose Extra Strength Bathroom Reader.
It was a dark and stormy night… no, it really was. And that was the perfect setting for telling one of the scariest stories of all time. Here’s how it happened.
CABIN FEVER
It all started in the summer of 1816. Percy Bysshe Shelley, the famed English poet, was vacationing along the shores of Lake Geneva in Switzerland with his 18-year-old future wife Mary Wollstonecraft. In adjoining villas were their friends, the poet Lord Byron, and Lord Byron’s personal physician Dr. John Polidori. “It was a wet, ungenial summer,” Mary Shelley later wrote, and then the rain “confined us for days.”
The group passed some of their time reading German horror stories. Then inspired by the tales, Lord Byron announced to the group, “We will each write a ghost story.” And with that challenge, two of the most enduring monsters in English literature came into being.
DYNAMIC DUO
Mary Wollstonecraft wrote a tale about a mad scientist who assembles a monster out of body parts stolen from cadavers and then brings the monster to life. Polidori, she recounted later, “had some terrible idea about a skull-headed lady, who was punished for peeping through a keyhole.” Percy Shelley came up with a story “founded on the experiences of his early life” …and Lord Byron created a story about a vampire.
Wollstonecraft spent the rest of the summer turning her story into a novel-Frankenstein. Lord Byron never did complete his story, but Dr. Polidori was so intrigued by the vampire idea that he scrapped the skull-headed lady and, borrowing from Byron, later wrote The Vampyre, the first vampire novel of any substance to appear in English literature. The Vampyre was published in the 1819 edition of New Monthly Magazine, and earned Polidori £30.
REVENGE!
The Vampyre might have been just another simple retelling of the traditional vampire legends of Eastern Europe, were it not for the fact that Polidori and Lord Byron had once been lovers. Cooped up in the villa in Geneva that summer, they were driving each other crazy. Polidori was jealous of Byron’s increasingly close friendship with Percy Shelley, and, perhaps because of this, he decided to make the vampire character a parody of Lord Byron.
The vampires of Eastern European lore were not that different from today’s conception of werewolves: They were scary, uncivilized creatures, more animal than human. But Polidori’s character was different. His vampire was a nobleman, and an immoral, sinister antihero named Lord Ruthven-not unlike Lord Byron, whose numerous sexual liaisons were the scandal of English society.
The name Ruthven was another dig at Byron. Polidori took the name from Ruthven Glenarvon, the main character of Glenarvon, a popular novel, written by Lady Caroline Lamb, another of Byron’s former lovers. Lamb, too, had intended her character to be a satirical slap at Byron.
American Book Review posted what it considers to be the 100 best first lines from novels – see if you agree:
1. Call me Ishmael. —Herman Melville, Moby-Dick (1851)
2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)
3. A screaming comes across the sky. —Thomas Pynchon, Gravity’s Rainbow (1973)
4. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, One Hundred Years of Solitude (1967; trans. Gregory Rabassa)
5. Lolita, light of my life, fire of my loins. —Vladimir Nabokov, Lolita (1955)
6. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877; trans. Constance Garnett)
7. riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. —James Joyce, Finnegans Wake (1939)
8. It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984 (1949)
9. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. —Charles Dickens, A Tale of Two Cities (1859)
10. I am an invisible man. —Ralph Ellison, Invisible Man (1952)
I, for one, am glad that the best first line ever, "It was a dark and stormy night," which was so good it inspired the epitome of excellent writing contest, the Bulwer-Lytton Fiction Contest, is included.
TYWKIWDBI has the Top 16 | Full List at American Book Review
Previously on Neatorama: 100 Best Last Lines From Novels | 2010 Bulwer-Lytton Bad Fiction Contest Winners
I’ve been meaning to read China Miéville ever since Perdido Street Station
But I digress.
Our pal Super Punch has a neat post about art inspired by China Mieville’s books – this one to the left is a re-imagined cover art for his third novel The Scar, by Jason Chalker.
Link – Thanks John!
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Shatnerquake is a novel by Jeff Burk. Here’s the premise:
It’s the first ShatnerCon with William Shatner as the guest of honor! But after a failed terrorist attack by Campbellians, a crazy terrorist cult that worships Bruce Campbell, all of the characters ever played by William Shatner are suddenly sucked into our world. Their mission: hunt down and destroy the real William Shatner.
This is so Shatnerific that I’m having a screaming Shatnergasm right now.
Link via Topless Robot
