It takes a lot of poise to still look beautiful, sexy and powerful while using crutches, but if anyone could do it -it was Marilyn Monroe. And the gorgeous pictures of the late, great actress featured on The Huffington Post show just how stunning she could look, even with an ankle injury. If you love Marilyn, don’t miss these great, unreleased-up-until-now shots.

I don’t know about you guys, but I have a serious girl-crush on Tina Fey. It’s hard not to when the woman in question is unbelievably talented, smart, funny and beautiful. That’s why I’m so happy to get to write this Neatorama article about one of my biggest idols, who will be celebrating her forty-first birthday today. So for all you other SNL and 30 Rock fans, please join me in wishing Tina Fey a very happy birthday by enjoying these fascinating facts about one of the world’s most influential women (and that’s not just me speaking, see fact #7 for more details).
Image via David Shankbone [Flickr]
Liz Lemon’s first name is actually Ms. Fey’s real first name. “Tina” was actually born Elizabeth Stamatina Fey. To be fair, at least Tina isn’t a complete stage name, it’s just not her real first name. In case you’ve ever wondered, she was born to a brokerage employee of Greek descent and a university grant proposal writer of German and Scottish descent.

If you’ve ever looked closely enough at one of her movies or shows, you may have noticed that Tina has a fairly large scar on the left side of her cheek. While she refuses to talk about it, her husband finally revealed the story during a 2009 interview with Vanity Fair –and the story is a little terrifying.
According to Tina’s husband, she was playing in the front yard of her house when she was five years old and someone randomly came by and slashed her face with a razor. It happened so fast that when it happened, she thought someone marked her with a pen.
Tina says she doesn’t like to talk about the incident because she doesn’t want to seem like she is exploiting the trauma for attention. She’s also said that talking about it upsets her parents.
If you watch 30 Rock (or pretty much any of her work), you’ll notice the show overwhelmingly features her standing with her right side to the camera –that’s why.
Image via Vivanista1 [Flickr]
Mainstream Hollywood movies can always use new talent, as actors/actresses from the states tend to have a short shelf life. So what’s keeping them from using foreign actresses that shine in their debuts, only to get a token role before saying adieu? Cinematical’s Christopher Campbell investigates, starting with Audrey Tautou.
She was allegedly warned against doing the Hollywood thing by Amelie director Jean-Pierre Jeunet (who had his own failure with Alien: Resurrection) and even seemed to obey him for a while there. But five years after winning the hearts of film geeks the world over, she cashed in big time by starring opposite none other than Tom Hanks in one of the most anticipated films of the decade, The Da Vinci Code. The mainstream audiences didn’t fall as hard for her in that, but she doesn’t seem to mind, preferring to maintain permanent residence in Paris while at least being a member of the Academy.
Four similar examples at the link, including Franke Potente and Monica Belluci. These girls are great actresses, so why don’t they make a splash with American audiences?
Many people watched the Academy Awards last week and noticed that Best Actress winner Sandra Bullock never changed her expression. New York Magazine asks the question, if you can’t move your face, can you still act with it? Aging Hollywood stars have always resorted to plastic surgery, but Botox injections are faster, cheaper, and less invasive -and they have become almost required for an actress to look young enough for starring roles. How has this affected the art of acting?
Some actors appear to be underplaying their characters, consciously making them cool, without affect. If you can’t move your face, why not create an undemonstrative character? Others have taken the opposite approach: On two cable dramas starring actresses of a certain age, the heroines are brassy and expansive, with a tendency to shout and act out, yet somehow their placid foreheads are never called into play. Usually, when a person reenacts a stabbing or smashes a car with a baseball bat, some part of the face is going to crease or bunch up. Not so with these women. As though to compensate for their facial inertia, both perform with stagy vigor, attempting broad looks of surprise or disappointment, gesticulating and bellowing. If you can’t frown with your mouth, they seem intent on proving, you can try to frown with your voice.
The bright side is that public opinion may eventually turn to a preference for naturally aged thespians. Link -via Metafilter
(image credit: Hannah Whitaker)
The announcement of Bea Arthur’s death today made me think about actresses that we think of as kind of grandmotherly types. Obviously, they didn’t always look like nanas. Here are five ladies that we know and love(d) for their portrayal of older women, but I think the pictures will make you see them in a different light. They made me see them in a different light, at least!

Betty White has been on the screen – small and silver – since 1945 when she had a part in Time to Kill, a George Reeves movie. But she was modeling before that, which I totally believe looking at that picture. Who knew Betty White was such a stunner? By the mid-50s she had her own sitcom called Life With Elizabeth (clip below) and ever since then she’s been in high demand, starring in shows such as Date with the Angels, Mary Tyler Moore, The Betty White Show, Mama’s Family, and, of course, Golden Girls. Her latest work is The Proposal, a movie due to be released in June starring Ryan Reynolds and Sandra Bullock.
Anyone who associates Angela Lansbury with Jessica Fletcher – and let’s face it, who doesn’t? – is probably pretty shocked by how gorgeous she was in her younger days. I know I was. She and her mother and brother moved to L.A. in the early ’40s when her mother, actress Moyna Macgill, decided to seek work there. A former resident of England, Angela’s mother often held parties and get-togethers for British actors and actresses who had come to L.A. to make it big just like she had. It was at one of these little shindigs that she met an actor who introduced her to a casting director who ended up putting Angela in The Picture of Dorian Gray and Gaslight. Both performances earned her Oscar nominations, so Angela was a sought-after actress right from her debut in Hollywood. Since then she’s done everything from playing a singing baker who specializes in people pies (Mrs. Lovett in Sweeney Todd) to voicing an animated tea pot (Mrs. Potts in Beauty and the Beast. And there’s obviously her Murder She Wrote streak – 12 Emmy noms in as many years. The picture is from 1943′s Samson and Delilah, which starred Hedy Lamarr. She would have been 18 or 19 at the time.

These days, 98-year-old Gloria Stuart is best known for playing the older version of Rose in 1997′s Titanic, but she made her movie debut more than 60 years earlier. She graduated from Santa Monica High School in 1927 and immediately took up at the Pasadena Playhouse, where she was “discovered.” She was selected as a WAMPAS (Western Association of Motion Picture Advertisers) Baby Star in 1932 along with Ginger Rogers. She played Flora Cranley opposite Claude Rains in The Invisible Man (and received top billing!) and was a founding member of the Screen Actors Guild. By the end of the ’30s she had been in more than 40 films and was ready for a break; she took up oil painting and was good enough to book one-woman shows in galleries in New York. Gloria didn’t come back to the industry until the 1975 made-for-TV movie The Legend of Lizzie Borden – the one with Elizabeth Montgomery as Lizzie. It wasn’t until she played Rose in Titanic, though, that she really came back to light as an actress. She became the oldest person to ever be nominated for a non-honorary Oscar, but she lost out to Kim Basinger for L.A. Confidential. She’s still around today and is good friends with Olivia de Havilland – she, Oliva, Joan Fontaine, Shirley Temple, Maureen O’Hara, Deanna Durbin and Luise Rainer are the last of the big female stars from the ’30s.
We can’t forget the other surviving Golden Girl, Miss Blanche Devereaux herself. Rue hails from Healdton, Oklahoma, and headed to New York to make her name on Broadway after she graduated from the University of Tulsa in 1957. She starred in a couple of B movies during the ’60s but really gained notoriety as Caroline Johnson on Another World in 1970. She and Bea Arthur first teamed up in 1972 on Maude and was on the first few seasons of Mama’s Family with Betty White, the Girls were all familiar with one another by the time Golden Girls rolled around in 1985. She’s still quite active today, appearing in various Broadway roles and TV guest spots. And she’s still pretty!

