Willy Kaemena took this 360° panorama of the 2009 Albuquerque International Balloon Fiesta. Hot air Balloons have certainly gone a long way in terms of shapes. Oh, and as far as I know, no Balloon boy hoax is involved in this event
The embed is nice, but the panorama is meant to be exprienced at full screen so head on over to 360 Cities for a much better view: Link – Thanks Jeffrey!
Last year, the Jiangsu Head Investment Group and the government of Nanjing, China held a competition for designing a museum for the automobile’s history and achievements. Italian architect Francesco Gatti and his team won with this entry featuring an interactive element: you drive into the museum.
The architect describes the museum as a “movie sequence in which the principal actor is the car”, a building where two car-related panorama go hand in hand: on the one hand the architect’s conscious attention to motorway aestheticism and urban scale – the structures and materials remind one of a viaduct – and on the other, his transportation into the museum of the ergonomics of the interior of a car. The furbishing and details within the edifice are related to and on a scale with its specific functions and it is not difficult for the visitor to imagine that he is in a car on a highway, rather than in a museum.
If you look at his paintings, Bill Guffey may seem like the well-traveled artist. There are paintings of the landscape of Saint Martin la Plaine in France, houses in Anchorage, Alaska, and other far away places – but Bill have never set foot in any of them. Instead, he simply fired up his trusty Google Street View to find vistas to paint!
Ki Mae Heussner of ABC News Technology & Science has the story of how Google offered views of the world to a Kentucky artist:
To reach the closest Wal-Mart, Guffey said he needs at least 30 minutes in the car. But with 30 seconds on his computer, he can fly around the world with Google Street View and paint any place his cursor lands.
Not only does the mapping tool give Guffey and other users a street-level window to many places in the world, it lets them navigate 360-degree horizontal and 290-degree vertical unbroken panoramas.
"I live in a very rural area," the 45-year-old said of the Burkesville, Ky. home he shares with his wife and two daughters. "Here, I can go out and I can paint cows all day, barns all day … With Street View, I can find things I normally wouldn’t see here."
USS Enterprise (NCC-1701), the starship in the original Star Trek TV series
To boldly go where no man has gone before, you'd need a really good starship
- and to launch Star Trek, the pop culture phenomenon that entertained
and inspired millions, you'd need a pretty darned good one! And that is
exactly what the United Space Starship Enterprise delivered. Here are
8 Starship Enterprise facts every Trekker should know:
1. Meet the REAL Enterprise(Several of Them, Actually)
Before Star Trek, there have been many actual ships named Enterprise.
The very first one of note was a French frigate L'Enterprise, which was
captured by the British Royal Navy in 1705 and renamed as HMS Enterprise.
It served as a British gun ship until it was wrecked just two years later.
After this ship, there were 14 other HMS also named Enterprise (sometimes
spelled Enterprize).
The United States have 8 battleships named Enterprise, including the
first nuclear powered aircraft carrier in the world. The very first one
(before the US became a country, so technically it was a ship of the Continental
Navy) was an armed sloop on Lake Champlain in 1775 named the United States
Ship (USS) Enterprise.
During the American Civil War, aeronaut and scientist Thaddeus S.C. Lowe
built a balloon named Enterprise,
to be used by the Union Army to perform aerial recon on Confederate troops.
(L) Enterprise, a gas inflated aerostat (1858); (M) Space
Shuttle Enterprise; (R) Artist rendering of VSS Enterprise
And who can forget the Space Shuttle Enterprise? It was the very first
Space Shuttle orbiter, built for NASA in 1976. The Shuttle was supposed
to be named Constitution, but a write-in campaign successfully persuaded
NASA to name it after the Star Trek starship. (Interestingly, the fictional
Starship Enterprise was a Constitution-class vessel - coincidence? Hm....)
The last actual Enterprise hasn't been built yet but it already has a
name: Virgin Space Ship (VSS) Enterprise and yes, it's an homage to Star
Trek. It's a suborbital spaceplane being built by Sir Richard Branson
of Virgin for the purposes of space tourism.
Ironically, when Sir Richard offered the first flight to William Shatner,
the actor declined and revealed that he's actually afraid of space travel,
"I'm interested in man's march into the unknown but to vomit
in space is not my idea of a good time. Neither is a fiery crash with
the vomit hovering over me." Shatner added that he's not entirely
against the idea - he just needed some reassurance. "I do want
to go up but I need guarantees I'll definitely come back." (Source)
2. No Rockets, Jets or Firestreams
Star Trek creator Gene Roddenberry, who pitched
the TV show as "Wagon Train to the Stars," didn't tell art
director Matt Jefferies what
Starship Enterprise should look like, instead he told the bewildered art
director what he did not want to see. Starship
Concept Art has reprint of a nifty article in Star Trek: The Magazine
by Jefferies about the design process:
"In my approach to Star Trek I wanted to be as practical as
possible," Jefferies says. "I could tell Gene was serious
enough, but I really didn't know where to start. I knew the Enterprise
was going to be on the cutting edge of the future, but essentially he
gave me the job of finding a shape, and I didn't know what the shape
looked like." Although Roddenberry knew a lot about his ship, he
had never visualized it, and consequently made the situation more complicated
since he couldn't give Jefferies a detailed sense of direction. According
to Jefferies, Roddenberry was absolutely clear to avoid any resemblance
to a 1960's rocket ship. "Gene described the 100-150 man crew,
outer space, fantastic, unheard-of speed, and that we didn't have to
worry about gravity. He had emphasized that there were to be no fins,
no wings, no smoke trails, no flames, no rocket.
After hundreds of drawings, Jefferies came up with this:
In his honor, the crawl spaces on all of the Starfleet starships on Star
Trek are called Jefferies tubes.
3. The Original Name of USS Enterprise
That's
right - the iconic starship wasn't always named USS Enterprise ... in
the original draft, Roddenberry named it USS Yorktown after a World War
II aircraft carrier. The starship was commanded by Captain Robert April,
then Christopher Pike, before Roddenberry settled on James Tiberius Kirk.
By the way, William Shatner was the third choice for Kirk. The role was
offered to Lloyd Bridges and Jack Lord, both of whom declined it.
4. The Origin of NCC-1701
How did the famous USS Enterprise get its registration number NCC-1701
is the stuff of legend. There are conflicting stories, including one where
1701 is a tribute to Roddenberry's childhood neighbor's house number or
that Jefferies got it from the registration number of his airplane.
Here's Matt Jefferies' explanation when he was asked during a BBC
Interview:
NC, by international agreement, stood for all United States commercial
vehicles. Russia had wound up with four Cs, CC CC. It’d been pretty
much a common opinion that any major effort in space would be two expensive
for any one country, so I mixed the US and the Russian and came up with
NCC.
The one seven zero part - I needed a number that would be instantly
identifiable, and three, six, eight and nine are too easily confused.
I don’t think anyone’ll confuse a one and a seven, or the
zero. So the one seven stood for the seventeenth basic ship design in
the Federation, and the zero one would have been serial number one,
the first bird.
5. Land the Ship? Too Expensive, Let's Teleport Everybody Instead!
Photo: Rex Features
Originally, Roddenberry envisioned the USS Enterprise to land on various
planets, but it turned out to be too expensive as it would require them
to build expensive sets. The next idea was to use shuttles - but when
filming began, the full-sized shooting model wasn't ready. So, they came
up with the idea of "beaming down" the crew via a teleportation
device and thus the transporter was born! (Source)
In 1994, TIME Magazine interviewed
Star Trek technical expert Michael Okuda about the intricacies of the
transporter:
"It should be possible if we decompile the pattern
buffer."
Transporters can send people instantly from one location to another
by converting their molecules into energy, then reassembling them. Every
living being has a distinct pattern of molecules; the pattern buffer
fixes the configuration by adjusting for the Doppler effect -- the apparent
change in the frequency of the energy waves caused by motion.
"I'll verify the Heisenberg compensators."
The Heisenberg Uncertainty Principle states that you cannot know
a subatomic particle's exact position and its exact direction and velocity
at the same time. To transport people you have to know all those things,
so the Heisenberg compensator was devised to overcome that problem.
It's an attempt by the Trek writers to signal that they are at least
aware of the issue. And how does the Heisenberg compensator work? "It
works very well, thank you," says Okuda.
6. The Next Gen Enterprise: Hilton in Space
Jefferies
designed the bridge in the original USS Enterprise in the style of a Navy
battleship, with specialized workstations for its crew. When set designer
Richard James updated the bridge for Star Trek: The Next Generation(restriction: no
purple!), Jefferies was asked about the new look. To which he replied:
Gene asked me how I liked the show, and I said that he had taken
the bridge of my ship and turned it into the lobby of the Hilton. And
I have just never watched any of them since. I’m lost.
Ironically, Star Trek and Hilton actually did come together to create
a theme attraction. Star Trek: The Experience opened in 1998 at the Las
Vegas Hilton. It closed in 2008 due to low attendance (though it is due
to re-open in a different location in 2010).
7. The Original Star Trek Enterprise Prop
Photo: Carolyn Russo / Smithsonian
If you visit the National Air and Space Museum at the Smithsonian, definitely
check out the actual
model of the Starship Enterprise used in the filming of the
original Star Trek TV show.
The hull and one nacelle of the original Star Trek Starship Enterprise
model as it was received by the National Air and Space Museum from Paramount
Studios on March 1, 1974. Image WEB11192-2009. Photo: Smithsonian
(with permission)
The model of the Enterprise was sent to the museum in crates, donated
by Paramount Studios five years after the series ended.
Enterprise during its first Smithsonian restoration. SI Neg #74-3977.
Photo: Smithsonian
(with permission)
The Smithsonian performed extensive restoration to put the starship model
back together, and for the first time ever, the photos of the restoration
process are available to the public at the museum's blog.
The Museum Registrar Gregory K.H. Bryant has more on this behind the
scenes look at the icon science fiction model: Link
- Thanks Llori!
8. The Hot-Rod Starship Enterprise
For his movie Star Trek, director J.J. Abrams decided that the USS Enterprise
could use a face-lift and worked with artists at Industrial Light &
Magic to update the starship - like Roddenberry, he gave a simple directive:
"He wanted a hot-rod type of vehicle, but they also wanted
to preserve the Enterprise kind of look," model maker John Goodson
said in a presentation at ILM's San Francisco headquarters earlier this
month.
"J.J. Abrams kept saying, 'Make it a bigger movie. Make it
a bigger shot,'" creative director David Nakabayashi added. "I
think that's one thing you see in this film, at least: The stuff I've
seen is just everything is big."
SCI FI Wire has the interview with model maker John Goodson and visual
effects supervisor Roger Guyett about the new Enterprise: Link
The official website for JJ Abram's Star Trek movie has a nifty 360°
panorama of the bridge of the new starship:
Panoramic photographer Jeffrey Martin of 360 Cities took this 2 gigapixel panorama stitched together from "a few hundreds shots" taken with a camera with a 70 mm zoom lens, handheld from the windows of the Petrin Tower in Prague.
To get a full appreciation of the panorama, first zoom out by pressing CTRL on your keyboard, then zoom back in by pressing SHIFT – Thanks Jeffrey!
Since its debut a little over a week ago, I've been playing with Wolfram|Alpha.
For those of you who don't know, it is an ambitious project by Stephen
Wolfram (of Mathematica
fame).
Wolfram Alpha (I know, technically, it's Wolfram|Alpha, but
I don't want to type in that vertical bar all the time) is not a search
engine, in a sense that it returns webpages as query results like Google
does - rather, it is a "computational knowledge engine." You
and I may simply call it an "answer engine," ask it a question
and it'll come up with the (usually right on the money) answer.
What is butter? Wolfie knows
- it'll display the average nutrition facts. Ask it to convert
$1 to British pounds, or the distance
between San Francisco and Los Angeles. Who starred
in Casablanca? How is the weather
in New York on May 26, 1987? How much wood would a woodchuck
chuck if a woodchuck could chuck wood?
Impressive, eh?
Now, Stephen is a very smart guy. Indeed, he wrote his first
paper on particle physics at the tender age of 16, received a PhD
from Caltech at 20, and became a professor there at 21. And to be fair,
Wolfram Alpha is very young and heavily geared towards computations. Furthermore,
the scope of what the engine "knows" in terms of content is
limited to areas covered by trusted sources like reference libraries fed
to it by its programmers.
But currently, there's one large gaping hole missing from Wolfram Alpha:
it is blind to blogs. Sure it knows about the meaning
of life, and it has its own blog,
but it knows nothing - nada, zip, zilch - about the blogosphere.
Technorati? Maybe you meant technology instead. According to Wolfie,
Gizmodo = komodo
(the island, the language, or the movie - but strangely not the animal);
Techcrunch = Techuchulco (a city in Mexico). Boing Boing = Boina (a volcano).
Ask it about Neatorama and Wolfie thinks that you mean Panorama
(which I learned is actually a city in Greece, that, at the time of my
query, has a warm 73°F weather with relative humidity of 50%, wind
of 7 mph and few clouds).
At least this blog fared better than Lifehacker, which got "lumpsucker"
instead.
Heck, ask what
is a blog?, and it'll think you're asking about logarithms:
Still, overall, I think Wolfram Alpha is a brilliant first step towards
(dare I say it) an artificial intelligence - a universal computer a la
Isaac Asimov's fantastic short story The
Last Question. And I'm sure the hardworking people over at Wolfram
Research will rectify this oversight soon.
But whatever you do, don't get Wolfie mad. This is what you'll get.
If you don't stop, it'll probably shove you out the pod bay door ...
Ever wonder how a fish sees its environment? It’s probably pretty close to this panorama by Richard Chesher over at 360 Cities. Be sure to right click and select "stereographic projection" (it’s nearly 360 degree field of view all at the same time).
The photo really doesn’t do it justice – definitely check out the larger version here: Link – Thanks Jeffrey Martin!
Seeing the moais at Ahu Tongariki, Rapa Nui (better known as Easter Island) should be on everyone’s bucket list. But if you can’t make the trip to the Polynesian island – it is, after all, one of the most isolated inhabited island in the world – you can still view the awesome panorama of the statues at 360 Cities: Link – Thanks Jeffrey!
This week, we’ve started to feature another layer in the Google Earth Gallery, showing several thousand panoramic views provided by 360cities.net. This layer contains exciting 360 degree panoramas from a variety of great photographs taken all over the world!
If you liked Olle Hemmendorff’s kitchen floor, you’ll love this! Charlie Kratzer of Lexington, Kentucky wanted something a little snazzier than bare cream-colored walls in his basement rec room. So he went to work with Sharpies and Magic Markers and doodled his masterpiece.
There are fictional detectives Hercule Poirot and Sherlock Holmes, Winston Churchill lounging with George Bernard Shaw — and the TV squirrel Rocky and his less adroit moose pal Bullwinkle.
Says Kratzer of his cartoon of a cartoon: “You appreciate the cleverness more as an adult.”
There’s Georges Seurat’s Sunday Afternoon on the Island of La Grande Jatte. There is Blenheim Palace, the birthplace of Winston Churchill, and the Cornell Law School, of which Kratzer is an alumnus. There is Kratzer’s dad. There is the harlequin pattern — alluded to in culinary culture today by the Panera bread bag — and a fake fireplace facing a real one.
There are both The Walrus and the Carpenter (from Lewis Carroll’s Through the Looking Glass and What Alice Found There), and William Shakespeare. The Marx Brothers peer around a corner. A flip-top garbage can is transformed via marker art into Star Wars’ plucky little beeper R2D2.
The Herald-Leader has a 360 degree panorama of the finished basement. Link -via reddit
Sometimes the most amazing abilities of the human brain
are revealed exactly when things go wrong with it. Take, for example,
savants - people who have mental abilities that could only be characterized
as superhuman (like having photographic memory, playing music perfectly
after hearing it just once, or doing complex mathematical calculations
in one's head) but otherwise severely disabled in every day cognitive
functions and social interaction.
Does the human brain have latent savant-like abilities? Does our higher
cognitive functions somehow block these abilities, and why? And can we
have savant-like abilities without the accompanying autism and/or developmental
disabilities? One
intriguing study by Dr. Allan Snyder of the Centre for the Mind suggested
that temporarily impairing the left fronto-temporal lobe in healthy subjects
by low-frequency magnetic pulses could result in savant-like mental abilities
(see, for example: article in New York Times "Savant
for a Day")
Most savants are born with their abilities (and unfortunately, their
developmental disorders), but not all: severe brain injuries can, in very
rare instances, cause savant-like abilities to surface (see, for example:
The
Case of the "Sudden" Savant). One noted savant (Daniel Tammet,
see below) is a highly functioning autistic savant who can perform amazing
mental feats but does not have significant developmental disabilities.
There are a few savants in the world (called "prodigious savants")
whose abilities are so exceptional that they would've been classified
as phenomenal with or without cognitive disabilities. Let's take a look
at 10 savants with superhuman mental skills:
1. Kim Peek, the Real Rain Man
Even
though you've never heard of Kim Peek, chances are you've heard the movie
Rain Man. Kim was the inspiration for the character played by
Dustin Hoffman in the movie.
Kim Peek was born with severe brain damage. His childhood doctor told
Kim's father to put him in an institution and forget about the boy. Kim's
severe developmental disabilities, according to the doctor, would not
let him walk let alone learn. Kim's father disregarded the doctor's advice.
Till this day, Kim struggles with ordinary motor skills and has difficulty
walking. He is severely disabled, cannot button his shirt and tests well
below average on a general IQ test.
But what Kim can do is astounding: he has read some 12,000 books and
remembers everything about them. "Kimputer," as he is lovingly
known to many, reads two pages at once - his left eye reads the left page,
and his right eye reads the right page. It takes him about 3 seconds to
read through two pages - and he remember everything on 'em. Kim can recall
facts and trivia from 15 subject areas from history to geography to sports.
Tell him a date, and Kim can tell you what day of the week it is. He also
remembers every music he has ever heard.
Since the movie Rain Man came out, Kim and his father have been
traveling across the country for appearances. The interaction turns out
to be beneficial for him, as he becomes less shy and more confident.
Leslie Lemke didn't have a great start in life. He was born with severe
birth defects that required doctors to remove his eyes. His own mother
gave him up for adoption, and a nurse named May Lemke (who at the time
was 52 and was raising 5 children of her own) adopted him when he was
six months old.
As a young child, Leslie had to be force-fed to teach him how to swallow.
He could not stand until he was 12. At 15, Leslie finally learned how
to walk (May had to strap his fragile body to hers to teach him, step
by step, how to walk).
At 16 years of age, Leslie Lemke bloomed. In the middle of one night,
May woke up to find Leslie playing Tchaikovsky's Piano Concerto No. 1.
Leslie, who has no classical music training, was playing the piece flawlessly
after hearing it just once earlier on the television.
From then on, Leslie began playing all styles of music from ragtime to
classical. Like the Tchaikovsky piece, he only has to hear the music once
in order to play it again perfectly. He became famous after being portrayed
in national television shows. Before his health started to deteriorate,
Leslie gave many concerts around the world.
A DVD of Leslie Lemke performing live at the Performing Art Center
in Pittsville, Wisconsin can be ordered from:
Miracle of Love Ministries
8099 Grant Road
Arpin, WI 54410
Cost: $20.00
3. Alonzo Clemons
As
a toddler, Alonzo suffered a head injury in an accident that changed his
life. He can't feed himself or tie his shoelaces, but he can sculpt.
And boy, can he sculpt: after seeing only a fleeting image of an animal
on a TV screen, Alonzo could sculpt a perfect 3D figure of it, correct
in each and every detail right down to the muscle fibers.
Check out Alonzo's official website, where you can purchase his sculptures:
Link
Gottfried Mind was one of the earliest savants in history. In 1776, the
eight-year-old Gottfried was placed in an art academy, where his teachers
noted that he was "very weak, incapable of hard work, full of talent
for drawing, a strange creature, full of artist-caprices, along with a
certain roguishness."
One day, Gottfried's mentor, a painter named Sigmund Hendenberger, was
drawing a cat when Gottfried exclaimed "That is no cat!" The
teacher asked whether he could do better and sent the child to a corner
to draw. The cat that Gottfried drew was so lifelike that since then he
became known as the Cat's Raphael:
In the course of his narrow, indoors life, he had worked himself
into an almost paternal relation with domestic animals, especially with
cats. While he sat painting, a cat might generally be seen sitting on
his back or on his shoulder; many times he kept, for hours, the most
awkward postures, that he might not disturb it. Frequently there was
a second cat sitting by him on the table, watching how the work went
on; sometimes a kitten or two lay in his lap under the table. Frogs
(in bottle) floated beside his easel; and with all these creatures he
kept up a most playful, loving style of conversation; though, often
enough, any human beings about him, or such even as came to see him,
were growled or grunted at in no social fashion. (Source)
Gilles Tréhin lives part-time in the city of Urville, in an island
off the Côte d'Azur, between Cannes and St. Tropez. Never heard
of it? That's because Urville exists only in his mind.
Since he was 5, Gilles taught himself to draw three dimensional objects.
By 12, he started building a city he called "Urville" (after
Dumont d'Urville, a French scientific base in the Antarctic). At first
he used LEGO, but shortly thereafter, he realized that he could expand
his imaginary city much easier with drawings.
Abbaye Sainte Marguerite des Tégartines, in Urville
Urville isn't just an idle idea - Gilles has 250 detailed drawings, complete
"history" of the founding the the city, and has even published
a
book detailing it (Sneak peak at Google
Books)
Visit Urville at Gilles' official website here: Link
6. Jedediah Buxton
Jedediah
Buxton, born in Derbyshire, England, in 1707, couldn't write. By all
accounts, he has no knowledge of science or history or anything else for
that matter except for numbers. Jedediah, as it turned out, was one of
the world's earliest mental calculators and savants.
Everything was numbers to Jedediah - in fact, he associated everything
he saw or experienced with numbers. He measured the area of the village
he was born in simply by walking around it. When he saw a dance, his whole
attention was to count the number of steps of the dancers. At a play,
Jedediah was consumed with counting the number of words uttered by the
actors.
The mental feat of Jedediah Buxton was tested by the Royal Society in
1754 - his mathematical brain was able to calculate numbers up to 39 figures.
7. Orlando Serrell
Orlando
Serrell wasn't born autistic - indeed, his savant skills only came about
after a brain injury. In 1979, then ten-year-old Orlando was playing baseball
when the ball struck him hard on the left side of his head. He fell to
the ground but eventually got up to continue playing.
For a while, Orlando had headaches. When they went away, he realized
he had new abilities: he could perform complex calendar calculations and
remember the weather every day from the day of the accident.
What makes Orlando Serrell so unique is that he may indeed hold
the key that unlocks the genius in us all. Orlando Serrell did not possess
any special skills until he was struck in the head by a baseball when
he was 10. And his extraordinary gifts seem to be his only side effect.
Could this mean once a key hemisphere in the brain is stimulated, we
can all attain the level of genius Orlando posses and beyond? Only time
and research will tell. Until then we will do well to keep our eyes
on Orlando and learn what we can from his experience.
8. Stephen Wiltshire, the Human Camera
As a young child, Stephen Wiltshire was a mute - he was diagnosed as
autistic and was sent to a school for special needs children. There, he
discovered a passion for drawing - first of animals, then London buses,
then buildings and the city's landmarks. Throughout his childhood, Stephen
communicated through his drawings. Slowly, aided by his teachers, he learned
to speak by the age of nine (his first word was "paper.")
Stephen has a particularly striking talent: he can draw an accurate and
detailed landscape of a city after seeing it just once! He drew a 10 meter
(~33 ft) long panorama of Tokyo following a short helicopter ride.
Like Leslie Lemke, Ellen Boudreaux is a blind autistic savant with exceptional
musical abilities. She can play music perfectly after hearing it just
once, and has a such a huge repertoire of songs in her head that a newspaper
reporter once tried to "stump Ellen" by requesting that she
played some obscure songs - and failed. Ellen knew them all.
Ellen has two other savant skills that are unusual. First, despite her
blindness, she is able to walk around without ever running into things.
As she walks, Ellen makes little chirping sounds that seems to act like
a human sonar (See also our
post on Ben Underwood, a blind teen who uses echolocation to "see").
Second, Ellen has an extremely precise digital clock ticking in her mind.
To help overcome her fear of the telephone, Ellen's mom coaxed her to
listen to the automatic time recording (the "time lady") when
she was 8. From then on, Ellen knows the exact hour and minute, any time
of the day without ever having seen a clock nor have the concept of the
passing of time explained to her.
At first glance, you won't be able to tell that Daniel Tammet is anything
but normal. Daniel, 29, is a highly functioning autistic savant with exceptional
mathematical and language abilities.
Daniel first became famous when he recited from memory Pi to 22,514 decimal
places (on 3/14, the International Pi Day, of course) to raise funds for
the National Society for Epilepsy.
Numbers, according to Daniel, are special to him. He has a rare form
of synesthesia and sees each integers up to 10,000 as having their own
unique shapes, color, texture and feel. He can "see" the result
of a math calculation, and he can "sense" whether a number is
prime. Daniel has since drawn what
pi looks like: a rolling landscape full of different shapes and colors.
Daniel speaks 11 languages, one of which is Icelandic. In 2007, Channel
Five documentary challenged him to learn the language in a week. Seven
days later, Daniel was successfully interviewed on Icelandic television
(in Icelandic, of course!).
When he was four years old, Daniel had bouts of epilepsy that, along
with his autism, seemed to have brought about his savant abilities. Though
he appears normal, Daniel contends that he actually had to will himself
to learn how to talk to and behave around people:
As he describes in his newly published memoir, “Born on a
Blue Day: Inside the Extraordinary Mind of an Autistic Savant”
(Free Press), he has willed himself to learn what to do. Offer a visitor
a drink; look her in the eye; don’t stand in someone else’s
space. These are all conscious decisions.
Recently, some friends warned him that in his eagerness to make
eye contact, he tended to stare too intently. “It’s like
being on a tightrope,” he said. “If you try too hard, you’ll
come off. But you have to try.” (Source)
There is a big difference between Daniel Tammet and all the other prodigious
savants in the world: Daniel can tell you how he does it and that makes
him invaluable to scientists trying to understand the savant syndrome:
Professor Allan Snyder, from the Centre for the Mind at the Australian
National University in Canberra, explains why Tammet is of particular,
and international, scientific interest. "Savants can't usually
tell us how they do what they do," says Snyder. "It just comes
to them. Daniel can. He describes what he sees in his head. That's why
he's exciting. He could be the Rosetta Stone." (Source)
I'll be the first to admit that we have only scratched the surface of
the fascinating topic of savant syndrome. If you are interested, here
are some suggested websites by Darold
A. Treffert, the world's foremost expert on savant syndrome, for further
reading:
Savant
Syndrome, Darold Treffert's website at the Wisconsin Medical Society
Islands
of Genius [PDF], a Scientific American article by Darold Treffert
and Gregory Wallace
We posted a whole bunch of panorama photography on Neatorama but never a video one (Ooops, apparently we had! I don’t even know what’s been on my own blog … Thanks Neatorama Fan!). Here’s a technical tour de force, a video panorama of a street in Prague, by our pal and panorama guru Jeffrey Martin of 360cities.
After the clip starts, click your mouse anywhere in the video and drag it left and right and you’ll see what I mean.
Drew Mackie of Back of the Cereal Box blog did something so amazingly genius that I was surprised that it was never done before. He took the intro of The Simpsons and stitched the scenes into one continuous panorama:
Technically, in every episode of The Simpsons that begins with the un-abbreviated intro, Milhouse appears. So too does Nelson, Dr. Hibbert, and even Maude Flanders, who overcomes the considerable handicap of being dead.
I speak of a brief section of the intro that occurs directly between Marge and Maggie’s simultaneous horn-honking and the arrival at Casa de Simpson that segues into the weekly couch gag. The camera pans away from Marge’s car and, if only for a few seconds, over a Springfield panorama, featuring various characters. It’s pretty hard to see the whole of it with the naked eye, and it wasn’t until the arrival of the Simpsons DVDs a few years back that I could actually see who was there by scanning frame-by-frame. For whatever reason, I was suddenly motivated last week by the urge to reproduce this scene in full in a way other people could see by Photoshopping the frames together.
The panorama guy (that’s what I call him) Jeffrey Martin of 360cities made something so wonderful it’s literally out-of-this-world: a fully spherical, interactive view from inside the Victoria Crater in Mars, from photos taken by the Mars rover Opportunity.
Our pal Jeffrey Martin of 360cities sent us this panorama that is not to be missed. It’s not officially launched yet, but should be accessible on this preview for Neatorama readers:
Taken from the top of the Twin Towers on June 17th, 2000, this rare VR is a window into the past. The view from the top was spectacular, especially on that particular Saturday morning. We were a different country then.
Singapore Airlines, by many counts the best airline in the world, just unveiled its ultra-luxurious Airbus A380 jetliner.
Most of the seats on the maiden flight of the double-decker plane were auctioned for charity on eBay, and some people really paid a lot of money for ‘em. Like Singaporean businessman William Leong, who bought a seat for his 91-year-old father to fulfill a promise:
"When we were young, we went through hardship and my father had to work extra hard to support us and send us to school," said Singaporean businessman William Leong, who had promised his father, Leong Lou Teck, 91, that he would be on the A380’s first flight.
"He took care of us then, and now it’s our turn to take care of him," Leong said in an interview before the seven-hour flight that will carry 12 first-class passengers in enclosed suites which the airline calls "A Class Beyond First."
Promising total privacy, each suite — created by French luxury yacht designer Jean-Jacques Coste — is fitted with a leather upholstered seat, a bed, a table and a 23-inch TV screen, plus laptop connections and a range of office software.
Leong is particularly impressed by the suite’s sliding doors — "When I snore, it won’t disturb my neighbors."
Leong paid $60,000 for eight seats, including three suites for his father, elder brother and himself, as well as four in business class and economy for other relatives.
The first-class fare for a ticket from Singapore to Sydney is $7,000 but you can take a look at some neat panorama photos of the planes at photographer Gilles Vidal’s website: Link – Thanks mikolka!
Özi created a comic panel drawn in style of a single continuous camera-shot without cuts to tell a story. Kind of like a 360° panorama, but for comics (indeed, he called it the "panocomic").
Jeffrey Martin of the panorama-photography portal 360cities.net wrote to us that they’ve put 19 more cities to the database.
They’re also converting the entire network into PhotoOverlays format on Google Earth (he assured me that this is exciting – I dunno, because I’ve never had the time to play around with the software, but I’ll take his word for it).
Link (The pic above is from Marshall Islands) – Thanks Jeffrey and David Martin!
The Père-Lachaise Cemetery [wiki] is one of the most famous in the world. It is the final resting place for many historical figures – for example, take a look at the tomb above: the much-kissed grave of Oscar Wilde.
There are also a lot of monuments depicting the history of France and commemorating their heroes, for example this one for those who came to Spain to fight the fascists in 1936 as part of the International Brigades [wiki].
Go to the page to find the tombs of Jim Morrison, Oscar Wilde, Edith Piaf, Maria Callas and others. There are a lot of panoramas, photos and a map in this virtual visit.
Take a look around at a public park before you travel! Virtual Parks is a site by photographer Erik Goetze, featuring 360-degree panoramas of beautiful parks and preserves in the western United States and elsewhere. Link -via Ursi’s Blog
Not a particularly long train, but a very long photograph of a train, by Branislav Kropilak. This is only a small portion. You’ll have to scroll right at Kropilak’s site to see it all. Link -via Grow-A-Brain
A survey of the Bootes constellation by the Chandra X-Ray Observatory revealed thousands of supermassive blackholes!
A new wide-field panorama reveals more than a thousand supermassive black holes in the centers of galaxies, some up to several billion times more massive than the sun.
The “Genbaku dome†was the closest building to the Hiroshima bomb’s ground zero to keep standing after the blast. The explosion epicenter was only 150 meters from this building. All the surrounding constructions were blasted away and only these walls were still standing.
For the most part, the building is ruined, but the authorities wanted it to stay that way as a museum to commemorate the horror. In this panoramic view, we can visit it without going to Japan.
Junko Mizuno [wiki] is a Japanese artist. She debuted in 1996 with a booklet called MINA animal DX. Her drawing style mixes childish sweetness and cuteness with blood and terror -a so-called kawaii noir style-. She describes her artwork as “The Powerpuff Girls on acid.”. Besides her comics, sometimes published in color, she designs T-shirts, calendars, postcards, and other collectibles. Mizuno has participated at Angoulême International Comics Festival. In the U.S., Viz Comics has published some of her work.
In this video, Jonathan Ross interviews Junko Mizuno for the Japanorama BBC series.